as it is to a libidinous murmur (in full effect on "Miracle"). Lanegan favors compact, dread-laced tales that fit squarely into the traditions of hill-country blues and country -- Hank Sr. would surely nod along to "Pill Hill Serenade." Interestingly enough, he takes the opposite tack when it comes to couching those tales, luxuriating in a sweeping drama that -- particularly on the Iberian-flavored "One Way Street" and the desperately keening "Don't Forget Me" -- makes for an undertow that's impossible to escape. (DAVID SPRAGUE - May 7, 2001)