Title |
Price |
USD |
Media |
Condition |
Label |
Mixed Up |
32.31 |
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2LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Fiction Records 8470991 |
Item Number: 3021639077 2220 |
394500 ex+/ex/ex+ with inners
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Tracklist
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A1 | Lullaby (Extended Mix) | 7:43 | A2 | Close To Me (Closer Mix) | 5:44 | A3 | Fascination Street (Extended Mix) | 8:46 | B1 | The Walk (Everything Mix) | 5:27 | B2 | Lovesong (Extended Mix) | 6:19 | B3 | A Forest (Tree Mix) | 6:54 | C1 | Pictures Of You (Extended Dub Mix) | 6:41 | C2 | Hot Hot Hot!!! (Extended Mix) | 7:01 | C3 | Why Can't I Be You? (Extended Mix) | 8:07 | D1 | The Caterpillar (Flicker Mix) | 5:38 | D2 | Inbetween Days (Shiver Mix) | 6:22 | D3 | Never Enough (Big Mix) | 6:07 |
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Barcode and Identifiers
BarcodeString: 042284709910 Barcode: 0 42284 70991 0 Matrix / RunoutVariant 1, stamped A side runout: 847 137 1 S1=1 670 07 1116 Matrix / RunoutVariant 1, stamped B Side runout: 847 137 1 S2=1 670 07 118 Matrix / RunoutVariant 1, stamped C side runout: 847 138 1 S1=1 670 07 12 19 Matrix / RunoutVariant 1, stamped D side runout: 847 138 1 S2=1 670 07 12 10 Matrix / RunoutVariant 2, stamped A side runout: 847 137 1 S1=1 670 07 11 33 Matrix / RunoutVariant 2, stamped B side runout: 847 137 1 S2=1 670 07 12 28 Matrix / RunoutVariant 2, stamped C side runout: 847 138 1 S1=1 670 07 12 14 Matrix / RunoutVariant 2, stamped D side runout: 847 138 1 S2=1 670 07 11 23 Matrix / RunoutVariant 3, stamped A side runout: 847 137 1 S1=1 670 07 12 29 Matrix / RunoutVariant 3, stamped B side runout: 847 137 1 S2=1 670 07 12 33 Matrix / RunoutVariant 3, stamped C side runout: 847 138 1 S1=1 670 07 12 10 Matrix / RunoutVariant 3, stamped D side runout: 847 138 1 S2=1 670 07 12 25 Price Code: POL 272 Rights Society: BIEM / STEMRA Label Code: LC 6444 LP1 inner sleeve: 847 137-1 RECORD 1 OF 2 LP2 inner sleeve: 847 138-1 RECORD 2 OF 2
Credits Painting - Maya Producer - Chris Parry (Tracks: D1), David M. Allen (Tracks: A1 to A3, B2, C1 to C3, D1, D2), Mark Saunders (Tracks: B1, B3, D3), Robert Smith Written-By - Boris Williams (Tracks: A1, A3, B2, C1 to C3, D3), Laurence Tolhurst (Tracks: A1, A3 to D1), Matthieu Hartley (Tracks: B3), Porl Thompson (Tracks: A1, A3, B2, C1 to C3, D3), Robert Smith, Roger O'Donnell (Tracks: A1, A3, B2, C1), Simon Gallup (Tracks: A1, A3, B2 to C3, D3)
Notes "Look for the ridiculous in everything and you will find it" Jules Renard [back of the first inner sleeve]
Track A1 originally released March 1989. Track A2 remixed June 1990. Track A3 released in the USA March 1989. Track B1 re-recorded and mixed June 1990. Track B2 released August 1989. Track B3 re-recorded and mixed June 1990. Track C1 released February 1990. Track C2 released February 1988. Track C3 released February 1987. Track D1 remixed May 1990. Track D2 remixed June 1990. Track D3 mixed July 1990.
This compilation ℗ 1990 Fiction Records Ltd. © 1990 Fiction Records Ltd. Tracks A2, B1, B3, C1, D1 to D3 ℗ 1990 Fiction Records Ltd., A1, A3, B2 ℗ 1989 Fiction Records Ltd., C2 ℗ 1988 Fiction Records Ltd., C3 ℗ 1987 Fiction Records Ltd. Made in Holland
No durations printed. B1 "The Walk (Everything Mix)" and B3 "A Forest (Tree Mix)" were remixed from 1990 re-recordings. C3 "Why Can't I Be You? (Extended Mix)" appears on cassette & LP but not on regular CD : only on limited has alternate price code POL 281.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Europe |
Release Date: 1990 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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