| Title |
Price |
GBP |
Media |
Condition |
Label |
| Iceman |
13.98 |
|
LP |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Pointblank 211318 |
| Item Number: 3018375746 |
418103, ex+/nm, with inner
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Tracklist
|
| A1 | Mr. Collins, Mr. Collins | | | A2 | Iceman | | | A3 | Don't Mistake Kindness For Weakness | | | A4 | Travellin' South | | | A5 | Put The Shoe On The Other Foot | | | B1 | I'm Beginning To Wonder | | | B2 | Head Rag | | | B3 | The Hawk | | | B4 | Blues For Gabe | | | B5 | Mr. Collins, Mr. Collins (Reprise) | |
|
Barcode and Identifiers
Barcode: 5 012981 399917
BarcodeScanned: 5012981399917
Label Code: LC 3098
Pressing Plant IDEmbossed on label side B: [Bass Clef]
Price CodeF: PM 264
Rights Society: BMI
On inner sleeve: VPBLP3-8
Matrix / RunoutSide A runout, variant 1: 030 DMF-1246 A-1 Town House DMM
Matrix / RunoutSide B runout, variant 1: 030 DMF-1246 B-1 Town House DMM
Matrix / RunoutSide A runout, variant 2: 030 DMF-1246 A-1 Ⅱ Town House DMM
Matrix / RunoutSide B runout, variant 2: 030 DMF-1246 B-1 Ⅱ Town House DMM
Credits
Alto Saxophone, Baritone Saxophone - Crispin Cioe
Arranged By [Horns Arranged By] - Uptown Horns
Backing Vocals - Debbie Jamison, Vicki Loveland
Bass - Johnny Gayden
Design, Art Direction - Icon
Drums, Percussion - Soko Richardson
Engineer - Ian Taylor
Engineer, Mixed By - Greg Archilla
Executive-Producer - Hilton Weinberg
Guitar, Vocals, Producer, Co-producer - Albert Collins
Keyboards - Eddie Harsch
Mastered By - Joel Kerr, Tony Noe
Mixed By [Assisted By] - Dan Pfeifer
Organ - Charles Hodges
Photography By - John Stoddart
Producer, Co-producer - Jim Gaines
Rhythm Guitar - Debbie Davies, Jack Holder, Mabon "Teenie" Hodges
Tenor Saxophone - Arno Hecht
Trombone - Bob Funk
Trumpet - Paul Litteral
Notes
- Glossy cover
- Printings on spine and on upper cover edge
- Includes printed inner sleeve with credits and photo
- No track times given
On rear cover:
℗ 1991 Virgin Records Ltd.
© 1991 Virgin Records Ltd.
On inner sleeve:
Recorded at Memphis Sound Productions,
Beale Street, Memphis, TN
The Manor, Shipton on Cherwell, England
Assisted by [... Mixing at] (Memphis Sound)
Mastered [...] at DB+, Valley Stream, NY
Horns arranged byThe Uptown Horns
On labels:
℗ 1991 Virgin Records Ltd. © 1991 Virgin Records Ltd.
030 in runouts was used by Sonopress between 1989 and 1991 to indicate that DMM masterings were made by other mastering studios (here it was The Town House).
Some copies have a misprinted Bass Clef symbol embossed on the B-Side.
Runouts are etched.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: UK |
| Release Date: 1991 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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