| Title |
Price |
GBP |
Media |
Condition |
Label |
| Patience |
3.23 |
|
CD |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Aegean 5154022000 |
| Item Number: 3001993979 2104 |
393759 ex+/nm
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Tracklist
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| 1 | Patience | 2:53 | | 2 | Amazing | 4:25 | | 3 | John And Elvis Are Dead | 4:23 | | 4 | Cars And Trains | 5:51 | | 5 | Round Here | 5:55 | | 6 | Shoot The Dog | 5:07 | | 7 | My Mother Had A Brother | 6:17 | | 8 | Flawless (Go To The City) | 6:51 | | 9 | American Angel | 4:07 | | 10 | Precious Box | 7:39 | | 11 | Please Send Me Someone (Anselmo's Song) | 5:26 | | 12 | Freeek! '04 | 4:28 | | 13 | Through | 5:22 | | 14 | Patience (Pt II) | 1:30 |
|
Barcode and Identifiers
Barcode: 5 099751 540229
BarcodeScanned: 5099751540229
Label Code: LC 12723
Rights Society: BIEM/MCPS/SDRM
Matrix / RunoutVariant 1: S5154022000-0101 33
Mastering SID CodeVariant 1: IFPI L553
Mould SID CodeVariant 1: IFPI 945T
Matrix / RunoutVariant 2: Sony Music L555 S5154022000-0101 15 B2
Mastering SID CodeVariant 2: IFPI L555
Mould SID CodeVariant 2: IFPI 944N
Matrix / RunoutVariant 3: S5154022000-0101 33 C11
Mastering SID CodeVariant 3: IFPI L553
Mould SID CodeVariant 3: IFPI 946P
Matrix / RunoutVariant 4: S5154022000-0101 25 A1
Mastering SID CodeVariant 4: IFPI L555
Mould SID CodeVariant 4: IFPI 943N
Matrix / RunoutVariant 5: S5154022000-0101 33 B4
Mastering SID CodeVariant 5: IFPI L553
Mould SID CodeVariant 5: IFPI 941S
Matrix / RunoutVariant 6: Sony Music S5154022000-0101 33 C3
Mastering SID CodeVariant 6: IFPI L553
Mould SID CodeVariant 6: IFPI 94W5
Matrix / RunoutVariant 7: Sony Music S5154022000-0101 33 A13
Mastering SID CodeVariant 7: IFPI L553
Mould SID CodeVariant 7: IFPI 94Z6
Matrix / RunoutVariant 8: Sony Music S5154022000-0101 15 B4
Mastering SID CodeVariant 8: IFPI L555
Mould SID CodeVariant 8: IFPI 945A
Matrix / RunoutVariant 9: Sony Music S5154022000-0101 43 B2
Mastering SID CodeVariant 9: IFPI L553
Mould SID CodeVariant 9: IFPI 941T
Matrix / RunoutVariant 10: Sony Music S5154022000-0101 33 C6
Mastering SID CodeVariant 10: IFPI L553
Mould SID CodeVariant 10: IFPI 944N
Matrix / RunoutVariant 11: Sony Music S5154022000-0101 33 A10
Mastering SID CodeVariant 11: IFPI L553
Mould SID CodeVariant 11: IFPI 94Y4
Matrix / RunoutVariant 12: Sony Music S5154022000-0101 33 C5
Mastering SID CodeVariant 12: IFPI L553
Mould SID CodeVariant 12: IFPI 94K8
Matrix / RunoutVariant 13: Sony Music S5154022000-0101 33 B1
Mastering SID CodeVariant 13: IFPI L553
Mould SID CodeVariant 13: IFPI 947S
Matrix / RunoutVariant 14: Sony Music S5154022000-0101 33 B8
Mastering SID CodeVariant 14: IFPI L553
Mould SID CodeVariant 14: IFPI 94V2
Matrix / RunoutVariant 15: Sony Music
Credits
Arranged By - George Michael (Tracks: 1 to 8, 10, 11, 13)
Backing Vocals - Jo Bryant
Bass - George Michael
Drum Programming - George Michael, Jon Douglas
Engineer - Niall Flynn
Engineer [Assistant ] - Adam Noble, Andy Davies (Tracks: 6, 10, 12)
Guitar - George Michael
Keyboards - David Austin, George Michael, James Jackman, Jon Douglas, Ruadhri Cushnan
Keyboards [Additional] - Pete Gleadall
Mastered By - Tom Coyne, Tony Cousins
Piano - Chris Cameron, George Michael (Tracks: 1 to 13)
Producer - George Michael (Tracks: 1 to 8, 10, 11, 13)
Programmed By - David Austin, James Jackman, Pete Gleadall, Ruadhri Cushnan
Vocals - George Michael
Notes
There is no credit for track 14
Mastered at Metropolis, London and at Sterling Sound, NYC
Samples:
06: 'Love Action (I Believe In Love)?' sample used by kind permission of The Human League and Virgin Records, written by Phil Oakey and Ian Burton
08: Original music produced by A Touch Of Class and performed by The Ones
This composition contains elements from 'Flawless' written and composed by Alexander/Stumm/Wooden/Matthew/Turnier
11: This composition contains elements from 'Moonraker' written and composed by John Barry and Hal David
12: 'Try Again' performed by Aaliyah, written by Tim Mosley/Stephen Garrett
'Breathe & Stop' performed by Q-Tip, written by James Yancey/Kamaal Fareed
'NT' performed by Kool And The Gang, written by Gene Redd/Clarence Redd/Roy Handy/Cloveland Horne/Ronald Bell/Robert Mickens/Dennis Thomas/Richard Westfield/George Brown/Claydes Smith
© 2004 G.K. Panayiotou under exclusive license to Sony Music Entertainment (UK) Ltd.
℗ 2004 except Track 6 ℗ 2002 G.K. Panayiotou under exclusive license to Sony Music Entertainment (UK) Ltd.
Catalogue numbers printed on this product :
Inlay edges : 515402 2
Back inlay : 5099751540229 / 5154022000
CD : 515402 2 / 5154022000
Publishing information
Track 1 (and 14), 5, 7, 8, 10, 11, 13 Dick Leahy Music Ltd.
Track 2, 4 Dick Leahy Music Ltd. / Warner Chappell Music Ltd.
Track 3 Dick Leahy Music Ltd. / European Music Publishing Ltd. / BMG Music Publishing Ltd.
Track 6 EMI Virgin Music Ltd. / Dinsong Ltd.
Track 9 EMI Virgin Music Ltd. / Copyright Control / EMI Music Publishing Ltd.
Track 12 EMI Virgin Music Ltd. / Sony/ATV Music Publishing Ltd. / EMI Music Publishing Ltd.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2004-03-15 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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