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Title Price GBP  Media  Condition  Label 
Live And Let Live 11.39  2LP  VG+  Mercury 6641698

Item Number: 6110077

Mercury, 6641 698, 1977, DBL Gatefold Sleeve 15 Track

A1The Second Sitting For The Last Supper
A2You've Got A Cold
A3Honeymoon With B Troop
A4Art For Art's Sake
A5People In Love
B1Wall Street Shuffle
B2Ship's Don't Disappear In The Night (Do They?)
B3I'm Mandy Fly Me
B4Marriage Bureau Rendezvous
C1Good Morning Judge
C2Feel The Benefit
C3The Things We Do For Love
D2I'm Not In Love
D3Modern Man Blues

Matrix / RunoutSide 1 label: 9199 265.1
Matrix / RunoutSide 2 label: 9199 265.2
Matrix / RunoutSide 3 label: 9199 266.1
Matrix / RunoutSide 4 label: 9199 266.2
Matrix / RunoutSide 1 runout - stamped (variant 1): 9199265 1Y//3 IB
Matrix / RunoutSide 2 runout - stamped (variant 1): 9199265 2Y//3 IB
Matrix / RunoutSide 3 runout - stamped (variant 1): 9199266 1Y//2 IB
Matrix / RunoutSide 4 runout - stamped (variant 1): 9199266 2Y//2 IB
Matrix / RunoutSide 1 runout - stamped (variant 2): 9199265 1Y//1 IB
Matrix / RunoutSide 2 runout - stamped (variant 2): 9199265 2Y//3 IB
Matrix / RunoutSide 3 runout - stamped (variant 2): 9199266 1Y//3 IB
Matrix / RunoutSide 4 runout - stamped (variant 2): 9199266 2Y//1 IB
Matrix / RunoutSide 1 runout - stamped (variant 3): 9199265 1Y//3 IB 1 1 2
Matrix / RunoutSide 2 runout - stamped (variant 3): 9199265 2Y//1 IB 1 5 3
Matrix / RunoutSide 3 runout - stamped (variant 3): 9199266 1Y//1 IB 1 1 5
Matrix / RunoutSide 4 runout - stamped (variant 3): 9199266 2Y//2 IB 1 1 1
Matrix / RunoutRunout, all four sides - Etched: MELYS
Catalog number, LP 1: 9199 265
Catalog number, LP 2: 9199 266
Matrix / RunoutSide 1 runout - stamped (variant 4): 9199265 1Y//1 IB 1 3 4 (MELYS (etched))
Matrix / RunoutSide 2 runout - stamped (variant 4): 9199265 2Y//1 IB 1 1 1 6 (MELYS (etched))
Matrix / RunoutSide 3 runout - stamped (variant 4): 9199266 1Y//2 IB 11 4 (MELYS (etched))
Matrix / RunoutSide 4 runout - stamped (variant 4): 9199266 2Y//1 IB 1 1 1 2 (MELYS (etched))
Matrix / RunoutSide 1 runout - stamped (variant 5 ): 9199265 1Y//1 IB 1 1 1 (MELYS (etched))
Matrix / RunoutSide 2 runout - stamped (variant 5): 9199265 2Y//1 IB 1 1 1 (MELYS (etched))
Matrix / RunoutSide 3 runout - stamped (variant 5: 9199266 1Y//3 IB 1 2 3 (MELYS (etched))
Matrix / RunoutSide 4 runout - stamped (variant 5): 9199266 2Y//2 IB 1 3 4 (MELYS (etched))
Matrix / RunoutSide 1 runout - stamped (variant 6): 9199265 1Y//2 IB 1 1 10 (MELYS (etched))
Side 2 runout :

Backing Vocals, Drums, Percussion - Stuart Tosh
Backing Vocals, Guitar, Bass Guitar - Rick Fenn
Booking [Concert Booking] - Danny Betesh
Crew [Stage Crew] - Charlie Pile, David Hutchinson, Graham Youle, Ian Leach, Ian Scott, Roger Barnes
Drum, Percussion, Electric Piano, Vibraphone [Vibes] - Paul Burgess
Engineer - Phil Ault
Lacquer Cut By - MELYS
Lead Vocals, Bass Guitar, Guitar, Producer, Written-By - Graham Gouldman
Lead Vocals, Grand Piano, Electric Piano, Backing Vocals, Organ, Keyboards [Clavioline, Minimoog, Polymoog] - Tony O'Malley
Lead Vocals, Guitar, Grand Piano, Electric Piano, Producer, Written-By, Engineer [Mixdown Engineer] - Eric Stewart
Lighting [Lighting Design] - Jimmy Barnett
Management - Harvey Lisberg
Mastered By - Melvyn Abrahams
Mixed By [Mixing Assistant] - David Rohl, Richard Scott, Tony Spath
Mixed By [Mixing Assistant], Engineer [Concert Sound Engineer] - Keith Bessey
Other [Driver, Crew] - Mike Brown
Other [Driver, Equipment] - Francis Finn, John Collins
Photography By - Gered Mankowitz
Public Relations [Publicity] - Karen Fox, Tony Brainsby
Recording Supervisor [Live Recording Co-ordination], Management - Ric Dixon
Stage Manager [Equipment & Stage Manager] - Gordon White
Tour Manager - Jim Sullivan
Written-By - Kevin Godley (Tracks: A1, B3), Lol Creme (Tracks: A1)

Issued in a gatefold front laminated sleeve

Recorded at Odeon Theatre Hammersmith London 18th 19th 20th June 1977 and Apollo Theatre Manchester 16th 17th July 1977

First cat#= Set Number (on sleeve)
Second cat# = Record 1 (label)
Third cat# = Record 2 (label)

This version does not have the '6641 698' cat# printed on the labels, the version with the cat# on the labels is here: Live And Let Live

Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: UK
Release Date: 1977

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Europe Tracked 1st item £8.99 add £1.00 per extra item
World Airmail 1st item £4.99 add £1.00 per extra item
World Tracked 1st item £9.99 add £1.00 per extra item

Large items:
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UK Tracked 1st item £4.99 add £0.50 per extra item
Europe Airmail 1st item £6.99 add £1.00 per extra item
Europe Tracked 1st item £9.99 add £1.00 per extra item
World Airmail 1st item £8.99 add £2.00 per extra item
World Tracked 1st item £11.99 add £2.00 per extra item
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Grading of Items:
Items are graded as Goldmine Standard
Goldmine Grading Standard:
(These standards have been expanded to include definitions of CD specific gradings)

Mint [M]

Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.

CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed. Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Near Mint [NM or M-]

Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.

CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Very Good Plus [VG+]

Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Very Good [VG]

Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+. Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Good [G], Good Plus [G+]

Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.

CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
Poor [P], Fair [F]:

Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.

CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.

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