| Title |
Price |
GBP |
Media |
Condition |
Label |
| Nobody's Blues But Mine |
9.69 |
|
2LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
CBS 67232 |
| Item Number: 2942187907 |
416926, ex/ex+/ex+, gatefold, orange labels, mono
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Tracklist
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| A1 | Careless Love Blues | | | A2 | J. C. Holmes Blues | | | A3 | I Ain't Gonna Play No Second Fiddle | | | A4 | He's Gone Blues | | | A5 | Nobody's Blues But Mine | | | A6 | I Ain't Got Nobody | | | A7 | My Man Blues | | | A8 | New Gulf Coast Blues | | | B1 | Florida Bound Blues | | | B2 | At The Christmas Ball | | | B3 | I've Been Mistreated And I Don't Like It | | | B4 | Red Mountain Blues | | | B5 | Golden Rule Blues | | | B6 | Lonesome Desert Blues | | | B7 | Them Has Been Blues | | | B8 | Squeeze Me | | | C1 | What's The Matter Now? | | | C2 | I Want Ev'ry Bit Of It | | | C3 | Jazzbo Brown From Memphis Town | | | C4 | The Gin House Blues | | | C5 | Money Blues | | | C6 | Baby Doll | | | C7 | Hard Driving Papa | | | C8 | Lost Your Head Blues | | | D1 | Hard Time Blues | | | D2 | Honey Man Blues | | | D3 | One And Two Blues | | | D4 | Young Woman's Blues | | | D5 | Preachin' The Blues | | | D6 | Backwater Blues | | | D7 | After You've Gone | | | D8 | Alexander's Ragtime Band | |
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Identifiers
Label Code: LC 0149
Rights Society: MCPS/BIEM
Matrix / RunoutSide A runout stamped: 64719 A1 67232 A
Matrix / RunoutSide B runout stamped: 64719 B1 67232 B
Matrix / RunoutSide C runout stamped: 64720 A1 67232 C
Matrix / RunoutSide D runout etched: CBS-M-67232 D3 64720 B3
Credits
Artwork [Cover] - Philip Hays
Design [Cover] - John Berg
Executive-Producer - John Hammond
Photography By [Inside Photo] - Saul Mauriber
Producer, Sleeve Notes - Chris Albertson
Restoration [Technical Restoration], Edited By - Larry Hiller
Notes
First orange label. CBS UK pressings.
This is the 5th and final release in the Bessie Smith series on CBS
All selections were recorded in New York City
Reording dates:
A1: May 26, 1925
A2, A3: May 27, 1925
A4: June 23, 1925
A5, A6: August 19, 1925
A7: September 1, 1925
A8, B1: November 17, 1925
B2, B3: November 18, 1925
B4, B5: November 20, 1925
B6: December 9, 1925
B7 to C2: March 5, 1926
C3, C4: March 18, 1926
C5 to C8: May 4, 1926
D1, D2: October 25, 1926
D3, D4: October 26, 1926
D5, D6: February 27, 1927
D7, D8: March 2, 1927
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: UK |
| Release Date: 1972 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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