| Title |
Price |
GBP |
Media |
Condition |
Label |
| Tommy |
14.41 |
|
2LP |
Very Good Plus (VG+)/Very Good (VG) |
Ode Records (2) SP99001 |
| Item Number: 2081106956 108943 |
vg+/ex/ex, with inserts [108943]
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Tracklist
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| A1 | Overture | | | A2 | It's A Boy | | | A3 | 1921 | | | A4 | Amazing Journey | | | A5 | Sparks | | | A6 | Eyesight To The Blind | | | A7 | Christmas | | | B1 | Cousin Kevin | | | B2 | The Acid Queen | | | B3 | Underture | | | B4 | Do You Think It's All Right | | | B5 | Fiddle About | | | B6 | Pin Ball Wizard | | | C1 | There's A Doctor I've Found | | | C2 | Go To The Mirror Boy | | | C3 | Tommy Can You Hear Me? | | | C4 | Smash The Mirror | | | C5 | I'm Free | | | C6 | Miracle Cure | | | C7 | Sensation | | | D1 | Sally Simpson | | | D2 | Welcome | | | D3 | Tommy's Holiday Camp | | | D4 | We're Not Gonna Take It | | | D5 | See Me, Feel Me | |
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Identifiers
Matrix / RunoutSide A Etched Variant 1: SP 99001 A P2 LH 2T
Matrix / RunoutSide B Etched Variant 1: SP 99001 B P2 LH 2T
Matrix / RunoutSide C Etched Variant 1: SP 99001 C P2 LH 2T
Matrix / RunoutSide D Etched Variant 1: SP 99001 D P1 LH 2T
Matrix / RunoutSide A Etched Variant 2: SP 99001 A P-1 LH 2T
Matrix / RunoutSide B Etched Variant 2: SP 99001 B P2 LH 2T
Matrix / RunoutSide C Etched Variant 2: SP 99001 C P1 LH 2T
Matrix / RunoutSide D Etched Variant 2: SP 99001 D P2 LH 2T
Matrix / RunoutSide A Etched Variant 3: SP 99001 A P5 LH T2
Matrix / RunoutSide B Etched Variant 3: SP 99001 B P5 LH 2T
Matrix / RunoutSide C Etched Variant 3: SP 99001 C P4 LH 2T
Matrix / RunoutSide D Etched Variant 3: SP 99001 D P2 LH 2T
Matrix / RunoutSide 1 - 4 Stamped Variant 1 & 2: STERLING
Credits
Arranged By - Wil Malone
Arranged By [Additional Arrangements] - Big Jim Sullivan
Conductor, Directed By - David Measham
Engineer [Assistant] - Anton Matthews, Bob Potter, Mike Bobak
Engineer [Chief] - Keith Grant
Graphics [Logotype] - Tom Carnase, Tom Wilkes
Graphics, Design Concept - Wilkes & Braun Inc.
Illustration [Acid Queen] - David Edward Byrd
Illustration [Cousin Kevin] - Doug Johnson
Illustration [Doctor] - Richard Harvey
Illustration [Father] - Wilson McClean
Illustration [Hawker] - Alex Gnidziejko
Illustration [Local Lad] - Charles E. White III
Illustration [Mother] - Jim Manos
Illustration [Narrator] - Richard Amsel
Illustration [Nurse] - Robert Heindel
Illustration [Tommy] - Mark English
Illustration [Uncle Ernie] - Robert Grossmann
Mastered By - Lee Hulko
Narrator - Pete Townshend
Performer [Acid Queen] - Merry Clayton
Performer [Cousin Kevin] - John Entwistle
Performer [Doctor] - Richard Harris
Performer [Father] - Steve Winwood
Performer [Hawker] - Richie Havens
Performer [Local Lad] - Rod Stewart
Performer [Lover] - Graham Bell
Performer [Mother] - Maggie Bell
Performer [Nurse] - Sandy Denny
Performer [Tommy] - Roger Daltrey
Performer [Uncle Ernie] - Ringo Starr
Photography By [Location] - Ethan Russell, Tom Wilkes
Photography By [Stills] - Phil Marco
Producer - Lou Reizner
Producer [The Who´s Original Recording Of Tommy] - Kit Lambert
Written-By - John Entwistle (Tracks: B1, B5), Keith Moon (Tracks: D3)
- Pete Townsh
Notes
This came in a Hardboard slipcase with inner embossed gatefold sleeve. Enclosed is a 28-page 11"x11" full color booklet. "Story of Tommy" and appearance info, lyrics, and credits. Panels have color artwork and pinball machine related photos depicting story.
Auto-coupled release.
Distributed by A&M Records, Inc. on slipcase, gatefold and inner sleeves
Distributed by A&M Records on labels
Made in U.S.A.
Printed in U.S.A.
Title on spine of case "Tommy as performed by the London Symphony Orchestra and Chambre Choir with Guest Soloists"
Guest soloists in order of appearance.
Narrator
Nurse
Lover
Father
Mother
Hawker
Acid Queen
Tommy
Cousin Kevin
Uncle Ernie
Local Lad
Doctor
Total duration side A: 21:20
Total duration side B: 18:30
Total duration side C: 13:06
Total duration side D: 17:42
Producer's Footnote: This album is dedicated to Linda Hewitt. I would like to express special thanks to Peter Townshend and all the beautiful artists, managers and record companies for their kind cooperation in helping to bring this project to fruition.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: US |
| Release Date: 1972 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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