Spiritualized
Title Price GBP  Media  Condition  Label 
Ladies And Gentlemen We Are Floating In Space 48.47  2LP  Near Mint (NM or M-)/Near Mint (NM or M-)  Fat Possum Records FP17531
Item Number: 2803132693 2104

385543 nm/nm/nm gatefold with inners




Tracklist
 
A1Ladies And Gentlemen We Are Floating In Space
A2Come Together
A3I Think I'm In Love
B1All Of My Thoughts
B2Stay With Me
B3Electricity
B4Home Of The Brave
C1The Individual
C2Broken Heart
C3No God Only Religion
C4Cool Waves
D1Cop Shoot Cop…


Barcode and Identifiers
Barcode: 767981175317
Matrix / RunoutA runout - 209800E1/A1 stamped: VMP-E093-A1/FP1753-3-A1 BAZZA ALCHEMY 209800E1/A1 #2
Matrix / RunoutB runout - 209800E2/A3 stamped - A/B in AB1 are superimposed: VMP-E093-AB1/FP1753-3-B1 209800E2/A3 #17
Matrix / RunoutC runout - 209800E3/A A1 stamped: VMP-E093-C1/FP1753-3-C1 209800E3/A A1 #1
Matrix / RunoutD runout - 209800E4/A1 stamped: VMP-E093-D1/FP1753-3-D1 209800E4/A1 #15

Credits
Accordion - Angel Corpus Christi
Arranged By [Choir Arranged By] - Basil Hughes, J. Spaceman
Arranged By [Horns Arranged By] - Edmund Coxon, J. Spaceman, Simon Clarke, Tim Sanders
Arranged By [Strings Arranged By] - Clare Connors, J. Spaceman
Artwork [Original Artwork - Print] - Farrow Design, J. Spaceman
Bass [Fender Jazzbass], Harmonica - Sean Cook
Cello - Sophie Harris
Choir - London Community Gospel Choir
Co-producer - J. Spaceman (Tracks: B2), John Coxon (Tracks: B2)
Design - Farrow Design, J. Spaceman
Design Concept - Farrow Design
Drums [Gretsch Round Badge], Percussion, Bells, Timpani - Damon Reece
Engineer [Assistant Engineers] - Chad Bamford, Chris Scard, Darren Nash, Lem Lattimer, Patrick McGovern
Engineer [Mix Engineers] - Chad Bamford, Darren Allison, John Leckie, Mads Bjerke, Pat McCarthy, Trevor Curwen
Engineer [Recording Engineers] - Carl Nappa, Darren Allison, Darren Nash, Mads Bjerke, Trevor Curwen
-

Notes
Packaged in a gatefold, tip-on sleeve.

℗ & © 1997 Sony Music Entertainment UK.
Under exclusive license to Fat Possum Records, LLC.
P.O. Box 1923, Oxford, MS 38655. USA.
The tablets are made by for the licence/authorisation holder Fat Possum Records.

Recorded and mixed at Moles Studio - Bath, The Church, Rooster and The Strongroom Studios - London, House of Blues - Memphis, The Hit Factory - New York and A&M - Los Angeles.

Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: UK, Europe & US
Release Date: 2021-09-10
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20

Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Questions:
Copyright 2001    www.black-light.org