Title |
Price |
GBP |
Media |
Condition |
Label |
Use Your Illusion II |
3.23 |
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CD |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Geffen Records GEFD24420 |
Item Number: 2767318528 1869 |
384252 ex+/ex
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Tracklist
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1 | Civil War | 7:42 | 2 | 14 Years | 4:21 | 3 | Yesterdays | 3:16 | 4 | Knockin' On Heaven's Door | 5:36 | 5 | Get In The Ring | 5:41 | 6 | Shotgun Blues | 3:23 | 7 | Breakdown | 7:04 | 8 | Pretty Tied Up (The Pearls Of Rock N' Roll Decadence) | 4:47 | 9 | Locomotive (Complicity) | 8:42 | 10 | So Fine | 4:06 | 11 | Estranged | 9:23 | 12 | You Could Be Mine | 5:43 | 13 | Don't Cry (Alt. Lyrics) | 4:44 | 14 | My World | 1:23 |
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Barcode and Identifiers
Barcode: 7 2064-24420-2 9 BarcodeScanned: 720642442029 Label Code: LC 7266 Price CodeD:: QB Price CodeF:: BM650 SPARS Code: AAD Rights Society: GEMA BIEM Matrix / RunoutVariant 1, mirrored: GED-24420 42 F1 DADC AUSTRIA Matrix / RunoutVariant 2, mirrored: GED-24420 33 06 DADC AUSTRIA Matrix / RunoutVariant 3, mirrored: GED-24420 33 A9 DADC AUSTRIA Matrix / RunoutVariant 4, mirrored: GED-24420 33 B8 DADC AUSTRIA Matrix / RunoutVariant 5, mirrored: GED-24420 33 B3 DADC AUSTRIA Matrix / RunoutVariant 6, mirrored: GED-24420 12 A2 DADC AUSTRIA Matrix / RunoutVariant 7, mirrored: GED-24420 33 F9 DADC AUSTRIA Matrix / RunoutVariant 8, mirrored: GED-24420 33 B2 DADC AUSTRIA Matrix / RunoutVariant 9, mirrored: GED-24420 12 B4 DADC AUSTRIA Matrix / RunoutVariant 10, mirrored: GED-24420 12 C3 DADC AUSTRIA Matrix / RunoutVariant 11, mirrored: GED-24420 33 C9 DADC AUSTRIA Matrix / RunoutVariant 12, mirrored: GED-24420 12A4 DADC AUSTRIA Matrix / RunoutVariant 13, mirrored: GED-24420 33 A12 DADC AUSTRIA Matrix / RunoutVariant 14, mirrored: GED-24420 33 A10 DADC AUSTRIA Matrix / RunoutVariant 15, mirrored: GED-24420 33 C8 DADC AUSTRIA Matrix / RunoutVariant 16, mirrored: GED-24420 33 C13 DADC AUSTRIA Matrix / RunoutVariant 17, mirrored: GED-24420 33 I6 DADC AUSTRIA Matrix / RunoutVariant 18, mirrored: GED-24420 33 DADC AUSTRIA Matrix / RunoutVariant 19, mirrored: GED-24420 33 C10 DADC AUSTRIA Matrix / RunoutVariant 20, mirrored: GED-24420 12 B2 DADC AUSTRIA Matrix / RunoutVariant 21, mirrored: GED-24420 33 F18 DADC AUSTRIA Matrix / RunoutVariant 22, mirrored: GED-24420 33 C11 DADC AUSTRIA Matrix / RunoutVariant 23, mirrored: GED-24420 33 A14 DADC AUSTRIA Matrix / RunoutVariant 24, mirrored: GED-24420 33 D1 DADC AUSTRIA Matrix / RunoutVariant 25, mirrored: GED-24420 12 C2 DADC AUSTRIA Matrix / RunoutVariant 26, mirrored: GED-24420 22 B1 DADC AUSTRIA Matrix / RunoutVariant 27, mirrored: GED-24420 33 D9 DADC AUSTRIA Matrix / RunoutVariant 28, mirrored: GED-24420 33 D10 DADC AUSTRI
Credits A&R [A&R Coordination] - Tom Zutaut Acoustic Guitar - Izzy Stradlin (Tracks: 7), Slash (Tracks: 1) Art Direction, Design - Axl Rose, Kevin Reagan, Slash Artwork [Editorial] - Lyn Fey Artwork [Guns N' Roses Logo] - R.K. Sloane Backing Vocals [Background Vocals] - Axl Rose (Tracks: 2, 4), Dizzy Reed (Tracks: 1, 6), Duff McKagan (Tracks: 1, 5, 6, 12), Izzy Stradlin (Tracks: 12, 13), Matt Sorum (Tracks: 10), The Waters (Tracks: 4) Banjo - Slash (Tracks: 7) Bass - Duff McKagan (Tracks: 1 to 13) Drums - Axl Rose (Tracks: 14), Johann Langlie (Tracks: 14), Matt Sorum (Tracks: 2), Matt Sorum (Tracks: 3 to 13), Steven Adler (Tracks: 1) Effects - Axl Rose (Tracks: 14), Johann Langlie (Tracks: 14) Engineer - Mike Clink Engineer [Additional] - Jim Mitchell Engineer [Assistant] - Allen Abrahamson, Buzz Burrowes, Chris Puram, Craig Porteils, Ed Goodreau, Jason Roberts, John Aguto, L. Stu Young, Leon Ganado, Mike Douglass, Talley Sherwood Illustration [Inside Illustration "Coma"] - Steve Lank Illustration [Inside Illustration "Don't Cry" (Ascension)] - Kirk Hughey Illustration [Inside Illustration "Pretty Tied Up"] - Mike Staggs Illustration [Inside Illustration 'Dead!' Piece] - The Starn Twins Keyboards - Axl Rose (Tracks: 14) - Johann Lang
Notes Disc: Made In Austria. Sleeve: Printed In Austria.
Recorded at: A&M Studios, Hollywood, CA, USA Record Plant, Hollywood, CA, USA Studio 56, Hollywood, CA, USA Image Recording, Hollywood, CA, USA Conway Studios, Los Angeles, CA, USA Metalworks Recording Studios, Toronto, ONT, Canada.
Mixed in (ou)R Sound & at Skip Saylor Recording, Los Angeles, CA, USA. Mastered at Sterling Sound, New York, NY, USA.
This release says "Printed in Austria" whereas says "Printed in Germany".
All songs published © 1991 Guns N' Roses Music ASCAP except track 1 © 1990 Guns N' Roses Music ASCAP and track 3 © 1973 Ram's Horn Music ASCAP
Track 1 Special Thanks Niven/James Track 1 Voice 1 Strother Martin - from the film Cool Hand Luke / Voice 2 Peruvian Guerilla General Track 4 The Waters (courtesy of Water Wheel Records) Track 7 Monologue Cleavon Little - from the film Vanishing Point - as recited by Axl Track 10 Dedicated to Johnny Thunders Track 11 Slash, thanks for the killer guitar melodies Track 12 Special thanks to Bernie Taupin and Elton John
"Dead Horse" photo courtesy of N.Y. Times
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Europe |
Release Date: 1991-09-17 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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