| Title |
Price |
USD |
Media |
Condition |
Label |
| Taking The Long Way |
3.23 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Open Wide 82876807392 |
| Item Number: 2762150086 1869 |
383948 nm/nm
 |
|
Tracklist
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| 1 | The Long Way Around | 4:33 | | 2 | Easy Silence | 4:02 | | 3 | Not Ready To Make Nice | 3:58 | | 4 | Everybody Knows | 4:18 | | 5 | Bitter End | 4:38 | | 6 | Lullaby | 5:51 | | 7 | Lubbock Or Leave It | 3:54 | | 8 | Silent House | 5:23 | | 9 | Favorite Year | 4:29 | | 10 | Voice Inside My Head | 5:52 | | 11 | I Like It | 4:34 | | 12 | Baby Hold On | 5:04 | | 13 | So Hard | 4:27 | | 14 | I Hope | 5:25 |
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Barcode and Identifiers
Barcode: 8 2876-80739-2 6
BarcodeScanned: 828768073926
Label Code: LC 00162
Rights Society: BIEM/GEMA
Matrix / RunoutVariant 1: S0100695779-0101 21 A4
Mastering SID CodeVariant 1 to 10: IFPI L551
Mould SID CodeVariant 1: IFPI 945A
Matrix / RunoutVariant 2: S0100695779-0101 11 A6
Mould SID CodeVariant 2: IFPI 948R
Matrix / RunoutVariant 3: S0100695779-0101 21 A3
Mould SID CodeVariant 3: IFPI 944S
Matrix / RunoutVariant 4: S0100695779-0101 11 A0
Mould SID CodeVariant 4: IFPI 843B
Matrix / RunoutVariant 5: S0100695779-0101 21 A1
Mould SID CodeVariant 5: IFPI 94Z1
Matrix / RunoutVariant 6: S0100695779-0101 21 A3
Mould SID CodeVariant 6: IFPI 94Z6
Matrix / RunoutVariant 7: S0100695779-0101 11 A1
Mould SID CodeVariant 7: IFPI 948Q
Matrix / RunoutVariant 8: S0100695779-0101 11 A2
Mould SID CodeVariant 8: IFPI 947R
Matrix / RunoutVariant 9: S0100695779-0101 21 A3
Mould SID CodeVariant 9: IFPI 948P
Matrix / RunoutVariant 10: Sony Music S0100695779-0101 21 A07
Mould SID CodeVariant 10: IFPI 94Z6
Credits
Art Direction - Kevin Reagan
Backing Vocals - Bonnie Raitt, Keb Mo
Banjo, Acoustic Guitar, Electric Guitar, Guitar [Papoose], Accordion, Sitar, Backing Vocals - Emily Robison
Bass - Justin Meldal-Johnsen, Sebastian Steinberg
Cello - Richard Dodd
Design - Bret Healey, Kevin Reagan
Drums - Chad Smith
Electric Guitar [Lead] - John Mayer
Electric Guitar, Acoustic Guitar - Matt Sweeney
Electric Guitar, Electric Guitar [12-string], Acoustic Guitar, 12-String Acoustic Guitar - Mike Campbell
Electric Guitar, Electric Guitar [12-string], Acoustic Guitar, Backing Vocals - Gary Louris
Electric Guitar, Electric Guitar [12-string], Acoustic Guitar, Piano, Bass, Backing Vocals - Dan Wilson
Engineer [Assistant] - Kevin Dean, Vanessa Parr
Lap Steel Guitar, Acoustic Guitar, Piano, Bass - Jonny Polonsky
Lead Vocals, Backing Vocals, Omnichord - Natalie Maines
Mandolin - Marvin Etzioni
Mastered By - Richard Dodd
Mixed By - Richard Dodd
Mixed By [Assistant] - John Netti
Pedal Steel Guitar, Mandolin, Mandolin [Octave] - Lloyd Maines
Percussion - Lenny Castro
Photography - Mark Seliger
Piano, Harpsichord, Organ [B3], Harmonium, Electric Piano [Wurlitzer], Piano [Tack], Synthesizer [Farfisa] - Benmont Tench
Producer - Rick Rubin
Recorded By - Chris Testa, Jim Scott
Recorded By [Additional] - Greg Fidelman, John Silva
Violin, Viola, Mandolin, Backing Vocals - Martie Maguire
Written-By - Dan Wilson (Tracks: 1 to 3, 6, 10, 13), Emily Robison (Tracks: 1 to 8, 10 to 14), Gary Louris (Tracks: 4, 5, 11, 12)
- Martie Maguire
Notes
© 2006 Sony BMG Music Entertainment, ℗ 2006 Sony BMG Music Entertainment
Made in the EU
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2006-05-23 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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