Duke Ellington & His Orchestra
Title Price GBP  Media  Condition  Label 
Happy Birthday, Duke! The Birthday Sessions Vol. 5 3.23  CD  Near Mint (NM or M-)/Very Good Plus (VG+)  LaserLight Digital 15787
Item Number: 2735994778 2104

382422 ex+/nm


            




Tracklist
 
1V.I.P.'s Boogie2:42
2Jam With Sam3:58
3Bunny Hop Mambo3:45
4Isle Of Capri3:25
5Take The "A" Train3:49
6Take The "A" Train (Instrumental)3:49
7Flamingo2:52
8I Got It Bad And That Ain't Good / I'm Just A Lucky So-And-So3:40
9Ballin' The Blues9:20
10Satin Doll0:47


Barcode and Identifiers
Barcode: 4006408157878
Rights Society: GEMA
Matrix / Runout: 15787-JVC 2D
Label Code: 8259


Credits
Alto Saxophone - Rick Henderson, Russell Procope
Baritone Saxophone - Harry Carney
Bass - Wendell Marshall
Bass Clarinet - Harry Carney
Clarinet - Jimmy Hamilton, Russell Procope
Drums - Dave Black
Engineer - Wally Heider
Liner Notes - Stanley Dance
Piano - Duke Ellington
Tenor Saxophone - Jimmy Hamilton, Paul Gonsalves
Trombone - Britt Woodman, John Sanders, Quentin Jackson
Trumpet - Cat Anderson, Clark Terry, Ray Nance, Willie Cook
Violin - Ray Nance
Vocals - Jimmy Grissom, Ray Nance (Tracks: 2-6, 5-5)

Notes
Recorded at McElroy's Ballroom, Portland, Oregon, April 29th, 1953.
"This is the last of five HAPPY BIRTHDAY DUKE! collections."


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Germany
Release Date: 1992

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

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LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

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Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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