Harry Edison & Jimmy Forrest
Title Price USD  Media  Condition  Label 
Sweet Tracks 5.39  2LP  Near Mint (NM or M-)/Very Good Plus (VG+)  Jazz Vogue VJD547
Item Number: 2725352296 1869

381815 ex+/nm/nm


            
            
    




Tracklist
 
A1Pussy Willow
A2Centrepiece
A3Indiana
A4If I Had You
A5Jive At Five
A6Imagination
B1Angel Eyes
B2Sweet Cakes
B3It's East To Remember
B4Twenty-Forty
B5There Is No Greater Love
B6Tea For Two
C1Louisiana
C2Candy
C3Hariet
C4Sweetnings
C5Paradise
C6It Happened In Monterey
D1They Can't Take That Away From Me
D2Candid Sweets
D3Ain't Misbehavin'
D4I'm Confessin' That I Love You
D5Blues Skies
D6Witchcreft



Credits
Alto Saxophone - Jimmy Forrest (Tracks: A1 to A4, B3 to B6, C1 to D6)
Bass - Joe Benjamin (Tracks: A1 to A4), John Simmons (Tracks: A5 to B6), Tommy Potter (Tracks: C1 to D6)
Drums - Charlie Persip (Tracks: A1 to B6), Elvin Jones (Tracks: C1 to D6)
Liner Notes - Charles Fox
Piano - Jimmy Jones (Tracks: A1 to B2), Kenny Drew (Tracks: B3 to B6), Tommy Flanagan (Tracks: C1 to D6)
Trumpet - Harry Edison

Notes
Gatefold picture sleeve.
Originally published 1958 / 1960.
Compiles [m=482274] & [m=336728]


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: UK
Release Date: 1978

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

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CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

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LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

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Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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