| Title |
Price |
GBP |
Media |
Condition |
Label |
| Little Head |
3.23 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Capitol Records CDEST2296 |
| Item Number: 2691462697 2104 |
380251 nm/nm
 |
 | |  | |
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Tracklist
|
| 1 | Little Head | | | 2 | Pirate Radio | | | 3 | My Sweet Girl | | | 4 | Feelin' Again | | | 5 | Graduated | | | 6 | Sure Pinocchio | | | 7 | Runaway | | | 8 | Woman Sawed In Half | | | 9 | Far As We Go | | | 10 | After All This Time | |
|
Barcode and Identifiers
BarcodePrinted: 7 24385 46722 6
BarcodeScanned: 724385467226
Label Code: LC 0148
Price CodeI: 070
Price CodeF: PM 520
Rights Society: bel BIEM
Matrix / RunoutVariant 1: 854672 2 .1:2:5 EMI SWINDON
Mastering SID CodeVariant 1: IFPI L041
Mould SID CodeVariant 1: ifpi 1439
Matrix / RunoutVariant 2: 854672 2 1:2:6 EMI SWINDON
Mastering SID CodeVariant 2: IFPI L041
Mould SID CodeVariant 2: ifpi 1438
Matrix / RunoutVariant 3: 854672 2 1:2:3 EMI SWINDON
Mastering SID CodeVariant 3: IFPI L041
Mould SID CodeVariant 3: ifpi 1438
Matrix / RunoutVariant 4: 854672 2 .1:2:4
Mastering SID CodeVariant 4: IFPI L041
Mould SID CodeVariant 4: none
Matrix / RunoutVariant 5: 854672 2 1:2:2 EMI SWINDON
Mastering SID CodeVariant 5: IFPI L041
Mould SID CodeVariant 5: ifpi 1430
Matrix / RunoutVariant 6: 854672 2 .1:1:2 EMI SWINDON
Mastering SID CodeVariant 6: IFPI L041
Mould SID CodeVariant 6: ifpi 1427
Credits
Art Direction - Steele & Fey
Backing Vocals - Jean McClain, Laura Creamer
Backing Vocals [Additional] - Bob Joyce, David Immerglück, Efrain Toro, Gary Ferguson, Jeffrey Scornavacca, Jim Gilstrap, Matt Ferguson, Peter Holsapple, William Valentine
Bass Guitar, Backing Vocals - Davey Faragher
Booking [Agency] - Creative Artists Agency, Rob Prinz
Cello - Kevin Buck (Tracks: 4)
Chamberlin - Jon Brion (Tracks: 7)
Design - Jeffery Fey
Drums - Gary Ferguson, Michael Urbano (Tracks: 5, 7)
Engineer [Assistant] - David Nottingham, Okhee Kim, Tom Winslow
Engineer, Mixed By - David Lohr
Guitar, Pedal Steel Guitar, Dobro, Sitar [Electric] - David Immerglück
Guitar, Piano - John Hiatt
Horns - Tower Of Power Horn Section (Tracks: 3, 4, 6)
Management - The Metropolitan Entertainment Group
Management [Business] - Larry Cherry, Money Management
Organ - Benmont Tench (Tracks: 5)
Organ, Piano - Peter Holsapple
Percussion - Efrain Toro
Photography By - Neal Preston
Producer - Davey Faragher, John Hiatt
Songwriter - Davey Faragher (Tracks: 6), John Hiatt
Notes
Includes 8 page fold-out credits booklet.
℗ © 1997 Capitol Records, Inc.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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|
| Release Country: Europe |
| Release Date: 1997 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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