Crystalized Movements
Title Price GBP  Media  Condition  Label 
This Wideness Comes 13.98  LP  Very Good Plus (VG+)/Very Good Plus (VG+)  No. 6 Records KAR0031
Item Number: 2666668515

411541, ex+/ex, still in shrink but NOT sealed




Tracklist
 
A1The Second A Siren3:50
A2Taken Away3:03
A3By Unseen Hands2:34
A4Third Half9:14
B1You Will3:19
B2Rearranged3:34
B3If Ever It Appears4:11
B4This Wideness Comes6:14


Barcode and Identifiers
Barcode: 0 2313-86403-1 3
Matrix / RunoutSide One, etched: KAR-003-A RJ 28350(3)
Matrix / RunoutSide Two, etched: KAR-003-B RJ 28351(3)
Matrix / RunoutSides One & Two, stamped: MASTERED BY TRUTONE


Credits
Bass - Scott McLeod
Drums - Teri Morris
Lead Guitar, Vocals - Wayne Rogers
Mastered By - Ray Janos
Photography By - Paul Pierce
Producer - Crystalized Movements
Rhythm Guitar - Kate Biggar
Written-By - Wayne Rogers

Notes
Recorded September 1988 - July 1989 at Troad Nossel, Wallingford, CT.
Fleckmanian Guidance - Laura Stein.
Thanks - Jimmy Johnson & Byron Coley.
Originally released in 1989 by Twisted Village (TW-1003).


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: US
Release Date: 1990

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

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Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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