| Title |
Price |
GBP |
Media |
Condition |
Label |
| Orchester-Finalisten Vom Mittwoch Aus LICHT |
21.54 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Stockhausen-Verlag STOCKHAUSEN52 |
| Item Number: 2546344746 2084 |
nm/nm 374588
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Tracklist
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| 1 | Orchester-Finalisten | 46:37 |
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Credits
Bassoon - Margreet Bongers
Cello - Doris Hochscheid
Clarinet - Jacques Meertens
Composed By - Karlheinz Stockhausen
Double Bass - Pieter Smithuijsen
Engineer [Recording Engineer] - Volker Müller
Engineer [Recording Supervisor] - Karlheinz Stockhausen, Paulo C. Chagas
Engineer [Sound Engineer] - Guido Tichelman, Joep Fruman
Ensemble - Asko Ensemble
Flute - Kathinka Pasveer
Horn - Wim Timmermans
Oboe - Marieke Schut
Technician [Recording Technician] - Markus Haßler
Trombone - Toon van Ulsen
Trumpet - Hendrik Jan Lindhout
Tuba - Anne Jelle Visser
Viola - Liesbeth Steffens
Violin - Jan Erik Van Regteren Altena
Notes
Orchester-Finalisten (1995/96) für Orchester und elektronische Musik recorded and mixed at the WDR Studio for electronic music from April to June 1996.
The ASKO Ensemble was recorded in April 1996 at the Steim Studio in Amsterdam, The Netherlands.
Although the piece is in one movement, it is separated into 23 continuous tracks.
Comes with a 32-page booklet in German and English.
|
Note
Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Germany |
| Release Date: 1997 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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