| Title |
Price |
GBP |
Media |
Condition |
Label |
| Souled Out |
3.23 |
|
CD |
Very Good Plus (VG+)/Near Mint (NM or M-) |
Epic 4809422 |
| Item Number: 2428684682 |
369224, nm/ex+
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Tracklist
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| 1 | Souled Out | 3:48 | | 2 | Taxed To The Max | 4:19 | | 3 | Keep Comin' Back | 3:47 | | 4 | Soothe You | 3:52 | | 5 | Do You Wanna (Make Love To Me | 3:51 | | 6 | Lovin' You Forever | 4:15 | | 7 | Gotta Make A Change | 3:38 | | 8 | Diggin' On James Brown | 4:53 | | 9 | Sexy Soul | 4:43 | | 10 | Just Like You | 4:27 | | 11 | Once You Get A Taste | 4:01 | | 12 | Undercurrent | 5:01 |
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Barcode and Identifiers
Barcode: 5 099748 094223
BarcodeScanned: 5099748094223
Label Code: LC 0199
Price Code: CB 681
Rights SocietyBoxed: SACEM SDRM SACD SGDL
Rights Society: BIEM
Sony format code: CDM
Manufacturing code: 01-480942-10
Matrix / RunoutVariant 1: Sony Music S0148094210-0101 24
Mastering SID CodeVariant 1: IFPI L554
Mould SID CodeVariant 1: IFPI 944B
Matrix / RunoutVariant 2: Sony Music S0148094210-0101 24 A1
Mastering SID CodeVariant 2: IFPI L554
Mould SID CodeVariant 2: IFPI 946B
Matrix / RunoutVariant 3: Sony Music S0148094210-0101 25 B1
Mastering SID CodeVariant 3: IFPI L555
Mould SID CodeVariant 3: IFPI 94G0
Matrix / RunoutVariant 4: Sony Music S0148094210-0101 25 A8
Mastering SID CodeVariant 4: IFPI L554
Mould SID CodeVariant 4: IFI 943A
Matrix / RunoutVariant 5: Sony Music S0148094210-0101 24 A8
Mastering SID CodeVariant 5: IFPI L554
Mould SID CodeVariant 5: IFPI 942B
Credits
A&R - Michael Caplan
Art Direction - David Coleman
Baritone Saxophone - Stephen Kupka
Design - Christine Wilson
Drums, Percussion - Herman Matthews
Engineer [Assistant] - Roland Alvarez, Trent Slatton
Guitar, Backing Vocals [Background Vocals] - Carmen Grillo
Guitar, Clavinet - Jeff Lorber
Keyboards - Nick Milo
Lead Vocals, Backing Vocals [Background Vocals] - Brent Carter
Management [Product] - Al Masocco
Mixed By - Alan Meyerson
Percussion - Lenny Castro
Photography By - Bret Lopez
Producer - Emilio Castillo, Jeff Lorber
Recorded By - Alan Meyerson, Ken Kessie
Recorded By [Overdubs] - Jeff Lorber, Randy Faustino, Richard Bosworth
Saxophone - Brandon Fields
Tenor Saxophone, Alto Saxophone - David Mann
Tenor Saxophone, Backing Vocals [Background Vocals] - Emilio Castillo
Trumpet, Flugelhorn - Barry Danielian
Trumpet, Flugelhorn, Trombone - Bill Churchville
Notes
Made in Austria (On Disc).
℗ 1995 Sony Music Entertainment Inc.
© 1995 Sony Music Entertainment Inc./"Epic" Registered Trademark.
epic [logo] is the exclusive trademark of Sony Music Entertainment Inc./Distribution Sony Music.
standard jewel case withblack tray and foldout 12-page booklet
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 1995 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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