| Title |
Price |
GBP |
Media |
Condition |
Label |
| The Woman In Red (Selections From The Original Motion Picture Soundtrack) |
5.39 |
|
LP |
Very Good Plus (VG+)/Near Mint (NM or M-) |
Motown ZL72285 |
| Item Number: 2467714520 2062 |
nm/ex+ gatefold 371240
 |
|
Tracklist
|
| A1 | Woman In Red | 4:38 | | A2 | It's You | 4:56 | | A3 | It's More Than You | 3:15 | | A4 | I Just Called To Say I Love You | 6:17 | | B1 | Love Light In Flight | 6:54 | | B2 | Moments Aren't Moments | 4:33 | | B3 | Weakness | 4:13 | | B4 | Don't Drive Drunk | 6:33 |
|
Barcode and Identifiers
BarcodeScanned: 035627228513
Barcode: 0 035627 228513
Label Code: LC 0881
Price CodeD:: SE
Price CodeF:: RC275
Price CodeUK:: HH
Rights Society: GEMA BIEM
Pressing Plant IDCenter label side B, embossed: Bass clef [?]
Matrix / RunoutRunout side A, etched, variant 1: B-1508 A-4 Precision
Matrix / RunoutRunout side B, etched, variant 1: B-1508 B-3
Matrix / RunoutRunout side A, etched, variant 2: 020 B-1508 A-1 IV Precision
Matrix / RunoutRunout side B, etched, variant 2: MLB-5 020 B-1508 B-1 II
Matrix / RunoutRunout side A, etched, variant 3: 6108 MLA • 5 020 B - 1508 A-5 Precision
Matrix / RunoutRunout side B, etched, variant 3: 6108 • MLB • 5 B - 1508 B-1 020 Precision
Matrix / RunoutRunout side A, etched, variant 4: 6108 MLA.5 020 B-1508 A-1 II Precision
Matrix / RunoutRunout side B, etched, variant 4: 6108 MLB.5 020 B-1508 B-1 1V Precision
Matrix / RunoutRunout side A, etched, variant 5: 6108 MLA - 5 020 B - 1508 A-1 Ⅲ
Matrix / RunoutRunout side B, etched, variant 5: 6108 • MLB • 5 020 B - 150 8 B-1 Ⅳ Precision
Matrix / RunoutRunout side A, etched, variant 6: 6108 MLA - 5 precision 020 B - 1508 A–1
Matrix / RunoutRunout side B, etched, variant 6: 6108 MLB - 1 020 B - 1508 B–4 precision
Matrix / RunoutRunout side A, etched, variant 7: 6108 MLA • # 5 Precision 020 B-1508 A-1 III
Matrix / RunoutRunout side B, etched, variant 7: 6108 • MLB • 5 020 B-1508 B-1 IV Precission
Matrix / RunoutRunout side A, etched, variant 8: 6108 • MLA • 5 020 B-1508 A-2 II Precision
Matrix / RunoutRunout side B, etched, variant 8: 6108 • MLB • 5 020 B-1508 B-1 020 Precision
Matrix / RunoutRunout side A, etched + stamped, variant 9: 6108 MLA - 1 Precision 020 B-1508 A-3
Matrix / RunoutRunout side B, etched + stamped, variant 9: 6108 MLB - 1 Precision 020 B-1508 B-3
Matrix / RunoutRunout side A, etched + stamped, variant 10: 6108 MLA • # 5 Precision 020 B-1508 A-1 III
Matrix / RunoutRunout side B, etched + stamped, variant 10: 6108 • MLB • 5 020 B-1508 B-1 II Precissio
Credits
Art Direction [Album Cover Coordinator] - Renee Hardaway
Coordinator [Project Co-ordinator] - Stephanie Andrews
Engineer [Additional Assistant] - Jean-Philippe Bonichon, Mike Kahsnetz, Olivier de Bosson, Ralph P. Ruppert
Engineer [Assistant] - Bob Harlan
Engineer [Technical Assistance] - Paul Freudenberg
Engineer, Mixed By - Gary Olazabal
Mastered By - Larry Emerine, Stephen Marcussen
Photography By [Back Cover] - Ron Slenzak
Producer - Stevie Wonder
Producer [Associate] - Gary Olazabal
Programmed By [Assistant] - Abdoulaye Soumare
Programmed By [Synthesizer] - Bob Bralove, Jim Burgess, Michael Wehr
Programmed By [Vocoder] - Keith Harris
Project Manager - Brenda M. Boyce
Set Designer [Stevie Wonder Make-up] - Tara Posey
Sound Designer [Computer Music Melodian Designed By] - Harry Mendell
Tape Op [Tape Operator] - Alvin Broussard
Technician [Equipment] - James Allen, Mick Parish
Notes
[Gatefold Sleeve]
© 1984 Jobete Music and Black Bull Music
Recorded and mixed at Wonderland Studios, Los Angeles, Calif.
Additional recording at:
Townhouse Studios, London, England
Roundhouse Studios, London, England
Marcadet Studios, Paris, France
Far Studios, Frankfurt, Germany
Union Studios, Munich, Germany
Jacobs Studios, Surrey, England
Brunwey Studios, Hamburg, Germany
Dierks Remote Truck, Pulheim, Germany
Mastered at Precision Lacquer, Hollywood, California
Produced for Taurus Productions
Dionne Warwick appears courtesy of Arista Records, Inc.
[Back Cover]
Ⓟ 1984 Motown Record Corporation, Hollywood, California
© 1984 Orion Pictures Corporation, Los Angeles, California
Stevie Wonder photo: © 1984 Motown Record Corporation.
Belgique/Belgie: Distributed by RCA S.A.
Deutschland: Vertrieb durch RCA Schallplatten GmbH
France: Distribué par RCA S.A.
Nederland: Distributed by RCA B.V.
U.K.: Distributed by RCA Ltd.
Printed in W. Germany.
[Labels]
Ⓟ 1984 Motown Record Corp.
Marketed and distributed by RCA Records. Manufactured in W. Germany.
Produced for Taurus Productions
All songs published by Jobete Music/Black Bull Music
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: UK & Europe |
| Release Date: 1984 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
|
|
|
