Title |
Price |
GBP |
Media |
Condition |
Label |
Death Rituals |
5.38 |
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CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Metal Blade Records 3984146902 |
Item Number: 2454355349 2050 |
nm/nm 370488
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Tracklist
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1 | Death By Machete | 3:45 | 2 | Involuntary Movement Of Dead Flesh | 3:29 | 3 | None Will Escape | 3:24 | 4 | Eulogy For The Undead | 4:17 | 5 | Seed Of Filth | 4:58 | 6 | Bastard | 3:26 | 7 | Into The Crematorium | 3:43 | 8 | Shot In The Head | 5:01 | 9 | Killed In Your Sleep | 4:37 | 10 | Crossroads To Armageddon | 2:09 | 11 | Ten Deadly Plagues | 5:10 | 12 | Crossing The River Styx (Outro) | 1:16 | 13 | Murder Addiction | 3:57 |
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Barcode and Identifiers
Barcode: 0 39841 46902 8 BarcodeScanned: 039841469028 Rights Society: BMI Matrix / Runout: DADR 0PX65<7248>146902 Mastering SID Code: IFPI L486 Mould SID CodeVariant 1: IFPI 7714 Mould SID CodeVariant 2: IFPI 81A9 Mould SID CodeVariant 3: IFPI 8134
Credits Bass - Terry Butler Drums - Greg Gall Graphic Design, Cover [Art], Layout - Darkmouth, Meran Karanitant Guitar - Steve Swanson Lyrics By, Arranged By [Vocal Arrangements] - Chris Barnes (Tracks: 1 to 5, 7 to 11, 13) Mastered By - Alan Douches Mixed By - Toby Wright (Tracks: 1 to 9, 11, 13) Mixed By [Assistant] - Ian Blanch, James Musshorn Music By - Chris Barnes (Tracks: 1 to 5, 7 to 11, 13), Greg Gall (Tracks: 1 to 5, 7 to 9, 11, 13), Steve Swanson (Tracks: 1 to 5, 7 to 9, 11 to 13), Terry Butler (Tracks: 1 to 5, 7 to 9, 11, 13) Photography By [Band] - Christian Girstmair Producer - Chris Barnes Recorded By [Assistant Recording Engineer Miami] - Alex Graupera Recorded By [Assistant Recording Engineer Tampa] - Jason Blackerby, Sean Burnett Recorded By [Drum Tracking Assistant] - Bill Metoyer Recorded By, Engineer - Chris Carroll Vocals - Chris Barnes
Notes Track 6 is a Mötley Crüe cover song.
©℗ 2008 Metal Blade Records Inc.
Recorded and engineered at Morrisound Studios Tampa, FL and The Hit Factory Criteria Miami, FL All songs mixed at Skip Saylor Recording Northridge, CA except 10 and 12 mixed at The Hit Factory Criteria Miami Mastered at West Westside Music
Track durations taken from media player.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: US |
Release Date: 2008 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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