Ron Carter
Title Price GBP  Media  Condition  Label 
Pastels 19.36  LP  Near Mint (NM or M-)/Near Mint (NM or M-)  Milestone (4) M9073
Item Number: 2479617668 2065

nm/nm gatefold, looks unplayed 371647


            
        




Tracklist
 
A1Woolaphant7:58
A2Ballad8:45
B1One Bass Rag7:28
B2Pastels6:21
B312 + 126:36


Identifiers
Matrix / RunoutCenter label side A: M-9073-A
Matrix / RunoutCenter label side B: M-9073-B
Matrix / RunoutRunout groove side A, etched: T1 M0973A - 1 [Eyes with eyebrows] FML 12876DT CRPTH # 1 Λ [stamped]
Matrix / RunoutRunout groove side B, etched: T1 M0973B - 1 [Eyes with eyebrows] FML 12 876DT CRPTH # 1
Rights Society: BMI


Credits
Arranged By - Don Sebesky, Ron Carter
Art Direction - Phil Carroll
Bass, Bass [Piccolo], Composed By - Ron Carter
Cello - Garfield Moore, Kermit Moore, Melinda Ross
Concertmaster, Violin - Sanford Allen
Conductor, Orchestrated By - Don Sebesky
Contractor - Rodney Reed
Cover - Jamie Putnam, Phil Bray
Design - Jamie Putnam
Drums - Harvey Mason (Tracks: A1, B1 to B3)
Electric Guitar, Acoustic Guitar - Hugh McCracken (Tracks: A1, B1 to B3)
Engineer - Jim Stern
Engineer [Assistant] - Jackson Schwartz
Lacquer Cut By [Runout Etching Eyes With Eyebrows] - David Turner
Mastered By - David Turner
Photography By [Liner] - Phil Bray
Piano - Kenny Barron (Tracks: A1, B1 to B3)
Supervised By [Musical Supervisor] - Selwart Clarke
Viola - Arthur Bauch, Daniel Yale, Denis De Coteau
Violin - Daniel Kobialka, Emily Van Valkenburgh, Fei-Pang Ching, Mark Volkert, Myra Bucky, Nathan Rubin, Ronald Erickson, Roy Oakley, Jr., Virginia Baker

Notes
Recorded (October 18-19, 1976), mixed, and mastered at Fantasy Studios, Berkeley.
Harvey Mason appears courtesy of Arista Records
Kenny Barron appears courtesy of Muse Records
Special thanks to Harvey Mason and Orrin Keepnews


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: US
Release Date: 1976

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full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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