Pierre Michelot
Title Price GBP  Media  Condition  Label 
Bass & Bosses 5.38  CD  Near Mint (NM or M-)/Near Mint (NM or M-)  EmArcy 8425312
Item Number: 2474314358

371238, nm/nm


Tracklist
 
1The Peacocks6:32
2Godchild7:15
3The Jitterbug Waltz7:51
4Quarte's Fever6:43
5A Child Is Born9:20
6Big Meeting7:04
7Blues In The Closet3:28


Barcode and Identifiers
Barcode: 0 42284 25312 3
Rights Society: B.I.E.M. / STEMRA
Label Code: LC 0699


Credits
Arranged By, Bass, Producer - Pierre Michelot
Design - CB Graphic
Drums - Billy Higgins
Engineer [Assistant] - Dominique Dindinau, Emmanuel Payet
Harmonica - Toots Thielemans
Liner Notes [Booklet] - Alain Gerber
Mastered By - Loïc Guillou
Photography By - Jean-Pierre Larcher
Piano - Maurice Vander
Producer - Jean-Philippe Allard
Recorded By, Mixed By - Alain Cluzeau
Violin - Pierre Blanchard

Notes
Digitally recorded at Studio Acousti, Paris, December 10-11, 1989.
Digitally mixed on December 12-13, 1989.
Mastered at Top Master.

℗ 1990 Phonogram S.A., France
© 1990 Phonogram S.A., France


Note
Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Europe
Release Date: 1990

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20


Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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