Title |
Price |
GBP |
Media |
Condition |
Label |
Time Further Out: Miro Reflections |
4.31 |
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CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Columbia CK64668 |
Item Number: 2426634782 |
369188, nm/nm
Tracklist
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1 | It's A Raggy Waltz | 5:12 | 2 | Bluette | 5:21 | 3 | Charles Matthew Hallelujah | 2:52 | 4 | Far More Blue | 4:38 | 5 | Far More Drums | 4:00 | 6 | Maori Blues | 3:54 | 7 | Unsquare Dance | 2:00 | 8 | Bru's Boogie Woogie | 2:28 | 9 | Blue Shadows In The Street | 6:35 | 10 | Slow And Easy (A. K. A. Lawless Mike) | 3:29 | 11 | It's A Raggy Waltz (Live At Carnegie Hall) | 6:37 |
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Barcode and Identifiers
Barcode: 5099706466826 Label Code: LC 0162 Distribution Code: CB 731 Rights Society: SACEM BIEM : CDM Matrix / RunoutVariant 1: S0106466810-0101 21 A1 Mastering SID CodeVariant 1: IFPI L551 Mould SID CodeVariant 1: IFPI 94K5 Matrix / RunoutVariant 2: S0106466810-0101 12 A3 Mastering SID CodeVariant 2: IFPI L552 Mould SID CodeVariant 2: IFPI 9448 Matrix / RunoutVariant 3: Sony Music S0106466810-0101 31 A4 Mastering SID CodeVariant 3: IFPI L551 Mould SID CodeVariant 3: IFPI 94K6 Matrix / RunoutVariant 4: S0106466810-0101 12 A1 Mastering SID CodeVariant 4: IFPI L552 Mould SID CodeVariant 4: IFPI 94H1 Matrix / RunoutVariant 5: Sony Music S0106466810-0101 21 A2 Mastering SID CodeVariant 5: IFPI L551 Mould SID CodeVariant 5: IFPI 945A Matrix / RunoutVariant 6: Sony Music S0106466810-0101 31 A3 Mastering SID CodeVariant 6: IFPI L551 Mould SID CodeVariant 6: IFPI 946A
Credits A&R [Coordinator] - Patti Matheny Alto Saxophone - Paul Desmond Art Direction - Tony Sellari Bass - Eugene Wright Cover [Painting] - Joan Miró Design - Randall Martin Design [Assistant] - Ken Fredette Drums - Joe Morello Engineer [Recording] - Fred Plaut Mastered By [Digitally] - Mark Wilder Photography By - Don Hunstein Piano, Composed By, Liner Notes - Dave Brubeck Producer - Teo Macero Producer [Associate] - Nedra Olds-Neal Reissue Producer - Russell Gloyd
Notes Standard jewel case with 12-page booklet.
Track 10 and 11 are additional tracks not released on original LP.
Track 1 Recorded May 3, 1961 in NYC Tracks 2 & 3 Recorded May 25, 1961 in NYC Tracks 4 & 8 Recorded June 2, 1961 in NYC Tracks 5, 6 & 7 Recorded June 8, 1961 in NYC Track 9 Recorded May 12, 1961 in NYC Track 10 Recorded May 25, 1961 in NYC Track 11 Recorded 1963 at Carnegie Hall in NYC
On disc: 01-064668-10 NONBREAKABLE MADE IN AUSTRIA
On back: (C) 1996 Sony Music Entertainment Inc.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Europe |
Release Date: 1996 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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