Duke Ellington
Title Price GBP  Media  Condition  Label 
The Private Collection Volume Three, Studio Sessions, New York 1962 4.31  CD  Very Good Plus (VG+)/Very Good Plus (VG+)  Kaz Records KAZCD503
Item Number: 2400122081

368613, ex+/ex




Tracklist
 
1ESP4:44
2Blue, Too - The Shepherd4:08
3Tune Up3:25
4Take It Slow2:57
5Telstar2:33
6To Know You Is To Love You2:32
7Like Late3:41
8Major4:06
9Minor1:58
10"G" For Groove4:17
11The Lonely Ones2:54
12Monk's Dream2:26
13Frere Monk2:24
14Cordon Bleu4:19
15New Concerto For Cootie2:32
16September 12th Blues5:05


Barcode and Identifiers
Barcode: 501673550323
Label Code: LC 5448
Barcodescanned: 5016073550323


Credits
Alto Saxophone - Johnny Hodges
Alto Saxophone, Clarinet - Russell Procope
Artwork By [Illustration] - Nancy Stahl
Baritone Saxophone, Clarinet [Standard And Bass] - Harry Carney
Bass - Aaron Bell
Clarinet, Tenor Saxophone - Jimmy Hamilton
Drums - Sam Woodyard
Executive Producer - Herb Moelis, Mel Fuhrman, Mercer Ellington
Executive Producer, Liner Notes - Stanley Dance
Piano - Billy Strayhorn, Duke Ellington
Producer - Duke Ellington
Tenor Saxophone - Paul Gonsalves
Trombone - Britt Woodman, Buster Cooper, Chuck Connors
Trumpet - Bill Berry, Cat Anderson, Cootie Williams, Ray Nance, Roy Burrowes
Vocals - Milt Grayson
Written-By - Duke Ellington (Tracks: 1 to 3, 5 to 11, 13, 14, 16)

Notes
Recorded 1962

Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: UK
Release Date: 1996

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full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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