| Title |
Price |
GBP |
Media |
Condition |
Label |
| Freak Of Nature |
3.23 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Epic 5047572000 |
| Item Number: 2392507903 2118 |
nm/nm 368353
 |
|
Tracklist
|
| 1 | Freak Of Nature | 3:39 | | 2 | Paid My Dues | 3:21 | | 3 | Overdue Goodbye | 4:34 | | 4 | You'll Never Be Alone | 4:21 | | 5 | One Day In Your Life | 3:28 | | 6 | How Come The World Won't Stop | 4:03 | | 7 | Why'd You Lie To Me | 3:43 | | 8 | Don't Cha Wanna | 3:43 | | 9 | Secrets | 5:22 | | 10 | Don't Stop (Doin' It) | 4:21 | | 11 | I Dreamed You | 5:04 | | 12 | Overdue Goodbye (Reprise) | 1:35 |
|
Barcode and Identifiers
BarcodeScanned: 5099750475720
Barcode: 5 099750 475720
Rights SocietyRectangular logo: SACEM SACD SDRM SGDL
Rights Society: BIEM
Label Code: LC 00199
ISRCTrack 1: USSM10113032
ISRCTrack 2: USSM10111241
ISRCTrack 3: USSM10113039
ISRCTrack 4: USSM10113035
ISRCTrack 5: USSM10113038
ISRCTrack 6: USSM10113036
ISRCTrack 7: USSM10101967
ISRCTrack 8: USSM10101968
ISRCTrack 9: USSM10113034
ISRCTrack 10: USSM10113033
ISRCTrack 11: USSM10112596
ISRCTrack 12: USSM10113249
Matrix / RunoutVariant 1: Sony Music S5047572000-0101 41 C5
Matrix / RunoutVariant 3: Sony Music S5047572000-0101 75 A11
Mastering SID CodeVariant 3: IFPI L555
Mould SID CodeVariant 3: IFPI 94W4
Matrix / RunoutVariant 4: Sony Music S5047572000-0101 61 A5
Mastering SID CodeVariant 4: IFPI L551
Mould SID CodeVariant 4: IFPI 94V3
Matrix / RunoutVariant 5: Sony Music S5047572000-0101 61 A6
Mastering SID CodeVariant 5: IFPI L551
Mould SID CodeVariant 5: IFPI 94V7
Matrix / RunoutVariant 6: Sony Music S5047572000-0101 61 A10
Mastering SID CodeVariant 6: IFPI L551
Mould SID CodeVariant 6: IFPI 94V5
Matrix / RunoutVariant 7: Sony Music S5047572000-0101 61 A19
Mastering SID CodeVariant 7: IFPI L551
Mould SID CodeVariant 7: IFPI 94V1
Matrix / RunoutVariant 8: Sony Music S5047572000-0101 41 A3
Mastering SID CodeVariant 8: IFPI L551
Mould SID CodeVariant 8: IFPI 94Y3
Matrix / RunoutVariant 9: Sony Music S5047572000-0101 41 A6
Mastering SID CodeVariant 9: missing
Mould SID CodeVariant 9: missing
Matrix / RunoutVariant 10: Sony Music S5047572000-0101 41 E7
Mastering SID CodeVariant 10: IFPI L551
Mould SID CodeVariant 10: IFPI 94U2
Matrix / RunoutVariant 11: Sony Music S5047572000-0101 41 A2
Mastering SID CodeVariant 11: missing
Mould SID CodeVariant 11: missing
Matrix / RunoutVariant 12: Sony Music S5047572000-0101 41 D5
Mastering SID CodeVariant 12: IFPI L551
Mould SID CodeVariant 12: IFPI 941Q
Matrix / RunoutVariant 13: Sony Music S5047572000-0101 41 A16
Mastering SID CodeVariant 13: IFPI L551
Mould SID CodVariant 13:
Credits
Art Direction [Package], Design - Julian Peploe
Coordinator [A&R Coordination] - Brad Aarons
Executive-Producer - Lisa Braudé
Management [A&R Direction] - David Massey
Management [Artist] - Lisa Braudé
Mastered By - Brian Gardner
Other [Hair] - Alex Price
Other [Make-up] - Francesca Tolot
Other [Prop Styliing] - Nick Tortorici
Other [Styling] - Brooke Dulien
Photography By - Isabel Snyder
Photography By [Shoot Art Direction] - Gary Montalvo, Sheri Lee
Notes
© / ℗ 2001 Sony Music Entertainment Inc.
Distribution by Sony Music.
Made in Austria.
Mastered at Bernie Grundman Mastering, Los Angeles, CA.
"Anastacia" belt buckle and ankh necklace: Mouawad (London, NYC).
Track 1:
POHO Productions/Universal Music Corp./Zooka Tunes/Remann Music/Squalene Music/Annonation Music/Admin. by WB Music Corp. (ASCAP).
Produced by for W&R Group.
Additional Production for W&R Group.
Recorded at Cove City Sound Studios, L.I. NY & Sony Music Studios, NYC.
Mixed at Cove City Sound Studios, L.I. NY.
Track 2:
GQ Romeo Music/Connotation Music/Admin. by Warner-Tamerlane Publishing Corp (BMI)/Damon Sharpe Music/Annotation Music/POHO Productions/Universal Music Corp./Admin. by WB Music Corp/Locoriya's Songs (ASCAP).
Produced for W&R Group.
Additional Production for W&R Group.
Recorded at Cove City Sound Studios, L.I. NY & Sony Music Studios, NYC.
Mixed at Cove City Sound Studios, L.I. NY.
Track 3:
POHO Productions/Universal Music Corp./Remann Music/Annonation Music/Admin. by WB Music Corp. (ASCAP).
Produced for W&R Group.
Additional Production for W&R Group.
Recorded at Cove City Sound Studios, L.I. NY & Sony Music Studios, NYC.
Mixed at Cove City Sound Studios, L.I. NY.
Track 4:
POHO Productions/Universal Music Corp./Breakthrough Creations/EMI April Music Inc./S.M.Y. Publishing/Sony/ATV Tunes (ASCAP).
Produced and arranged for Breakthrough Entertainment.
Recorded at Homesite 13, Right Track Recording, NYC & Ocean Way LA.
Mixed at Homesite 13.
Track 5:
POHO Productions/Universal Music Corp./Breakthrough Creations/EMI April Music Inc./S.M.Y. Publishing/Sony/ATV Tunes (ASCAP).
Produced and arranged for Breakthrough Entertainment.
Recorded at Homesite 13 & Right Track Recording, NYC.
Mixed at Homesite 13.
Track 6:
POHO Productions/Universal Music Corp./Remann Music/Annonation Music/WB Music Corp. (ASCAP).
Produced by Ric Wake for W&R Group.
Additional production for W&R Group.
Recorded at Cove City Sound Studios, L.I., NY & Sony Music Studios, NY
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 2001-11-26 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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