| Title |
Price |
GBP |
Media |
Condition |
Label |
| The Devil Put Dinosaurs Here |
236.95 |
|
2LP |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Capitol Records 05099995887517 |
| Item Number: 2378878738 |
405498, nm/nm/nm, gatefold, comes in a red/orange plastic outersleeve with hypesticker, with insert, picturediscs
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Tracklist
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| A1 | Hollow | | | A2 | Pretty Done | | | A3 | Stone | | | B1 | Voices | | | B2 | The Devil Put Dinosaurs Here | | | B3 | Lab Monkey | | | C1 | Low Ceiling | | | C2 | Breath On A Window | | | C3 | Scalpel | | | D1 | Phantom Limb | | | D2 | Hung On A Hook | | | D3 | Choke | |
|
Barcode and Identifiers
BarcodeAs printed, sticker: 5 099995 887517
BarcodeScanned, EAN 13, sticker: 5099995887517
Matrix / RunoutA-side runout, hand-etched: BD10174-01 A1 KR
Matrix / RunoutB-side runout, hand-etched: BD10174-01 B1 KR
Matrix / RunoutC-side runout, hand-etched: BD10174-02 C1 KR
Matrix / RunoutD-side runout, hand-etched: BD10174-02 D1 KR
Rights Society: BIEM/SDRM
Rights Society: SESAC
Rights Society: ASCAP
Label Code: LC01846
LP 1 catalog number: 05099995888019
LP 2 catalog number: 05099995888118
Credits
A&R [A&R Administration] - Ronette Bowie, Ryan Del Vecchio
Art Direction, Design - Invisible Creature, Ryan Clark
Booking [International Booking] - John Jackson, K2
Booking [North American Booking] - ICM, Jon Pleeter
Creative Director - Nicole Frantz
Lacquer Cut By - KR
Legal - King, Holmes, Paterno & Berliner, Peter Paterno
Management [Business Management] - David Weise & Associates
Management [Worldwide Representation] - Susan Silver Management, Velvet Hammer Music And Management Group
Mastered By - Ted Jensen
Mixed By - Randy Staub
Photography By - Kabacchi & Ballista
Producer - Alice In Chains, Nick Raskulinecz
Product Manager [Marketing] - Bob Semanovich
Recorded By - Paul Fig
Notes
This release is identical to The Devil Put Dinosaurs Here but doesn't include the digital download and features a different sticker.
Released in a red transparent PVC gatefold sleeve.
Includes an insert with lyrics and credits.
A1 to B1, B3, C2, D2: © 2013 Rooster's Son Publishing (SESAC)
B2: © 2013 Rooster's Son Publishing (SESAC) / Colonic Diatonic Music (ASCAP) / Great White Lion Snake Music (ASCAP)
C1, C3, D3: © 2013 Rooster's Son Publishing (SESAC) / Great White Lion Snake Music (ASCAP) / Colonic Diatonic Music (ASCAP)
D1: © 2013 Absolutes From Attack Music (ASCAP) / Rooster's Son Publishing (SESAC) / Great White Lion Snake Music (ASCAP) / Colonic Diatonic Music (ASCAP)
Recorded at Henson Studios, Los Angeles, CA
Mixed at Henson Studios, Los Angeles, CA
Mastered at Sterling Sound, New York, NY
℗© 2013 Capitol Records. A Division of UMG Recordings, Inc.
Made in the EU.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2013-05-27 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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