| Title |
Price |
GBP |
Media |
Condition |
Label |
| The Private Collection Volume Two, Studio Sessions Chicago 1957, New York 1962 |
3.23 |
|
CD |
Very Good Plus (VG+)/Near Mint (NM or M-) |
Saja Records KAZCD502 |
| Item Number: 2275889404 |
363499, nm/ex
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Tracklist
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| 1 | Things Ain't What They Used To Be | 3:17 | | 2 | Something Sexual | 2:16 | | 3 | The Riff | 2:23 | | 4 | Bluer | 2:12 | | 5 | Wailing 'Bout | 2:47 | | 6 | I Cover The Waterfront | 3:26 | | 7 | Blues A La Willie Cook | 4:02 | | 8 | Slow Blues Ensemble | 3:12 | | 9 | Circle Of Fourths | 2:12 | | 10 | Perdido | 3:12 | | 11 | Three Trumps | 2:46 | | 12 | Deep Blues | 3:29 | | 13 | Things Ain't What They Used To Be (Instrumental) | 6:50 | | 14 | Paris Blues | 2:48 | | 15 | I've Got It Bad (And That Ain't Good) | 3:15 | | 16 | Circle Blues | 5:45 | | 17 | Perdido (Instrumental) | 3:15 | | 18 | The Sky Fell Down | 4:29 | | 19 | Cottontail | 3:03 | | 20 | Passion Flower | 4:22 |
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Barcode
Barcodescanned: 5016073550224
Credits
Alto Saxophone - Johnny Hodges
Alto Saxophone, Clarinet - Russell Procope
Baritone Saxophone, Clarinet [Standard And Bass] - Harry Carney
Bass - Aaron Bell, Jimmy Woode
Clarinet, Tenor Saxophone - Jimmy Hamilton
Drums - Sam Woodyard, Sonny Greer
Executive Producer - Herb Moelis, Mel Fuhrman, Mercer Ellington
Executive Producer, Liner Notes - Stanley Dance
Piano - Billy Strayhorn, Duke Ellington
Producer - Duke Ellington
Tenor Saxophone - Harold Ashby, Paul Gonsalves
Trombone - Britt Woodman, Chuck Connors, John Sanders, Lawrence Brown, Leon Cox, Quentin Jackson
Trumpet - Bill Berry, Cat Anderson, Clark Terry, Ray Nance, Roy Burrowes, Willie Cook
Violin - Ray Nance
Vocals - Milt Grayson
Notes
"This is one in a series of ten albums that, taken together, is the definitive collection of the significant compositions written by Duke Ellington and some other songs long associated with his body of work. These recordings were personally produced by Duke Ellington himself and have remained in his private collection since their completion. Documenting a large portion of his musical work, some of which have never been commercially released, these private recordings are being made available by Ellington's family for the first time."
(p)1989 LMR Records (c) 1989 Wea International. A Warner Communications Company.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: UK |
| Release Date: 1996 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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