| Title |
Price |
GBP |
Media |
Condition |
Label |
| Intimacy |
3.23 |
|
CD |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Wichita WEBB185CDLI |
| Item Number: 2272163791 2070 |
ex+/ex+ slipcase is ex+ 363150
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Tracklist
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| 1 | Ares | 3:30 | | 2 | Mercury | 3:53 | | 3 | Halo | 3:36 | | 4 | Biko | 5:01 | | 5 | Trojan Horse | 3:32 | | 6 | Signs | 4:40 | | 7 | One Month Off | 3:39 | | 8 | Zephyrus | 4:35 | | 9 | Talons | 4:43 | | 10 | Better Than Heaven | 4:22 | | 11 | Ion Square | 6:36 | | - | | | 12 | Letter To My Son | 4:26 | | 13 | Your Visits Are Getting Shorter | 4:21 |
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Barcode and Identifiers
Barcode: 5 055036 291859
BarcodeScanned: 5055036291859
Matrix / RunoutVariant 1 & 2: [4 x Universal logo] 50550 362 918-5 01 + 52206431
Mastering SID CodeVariant 1 & 2: IFPI LV27
Mould SID CodeVariant 1: IFPI 0133
Mould SID CodeVariant 2: IFPI 0131
Credits
Alto Vocals - 'Desola Haastrup, Alison Benbow, Angharad Lloyd, Bettina Weichert, Claire Hetherington, Frances Rowberry, Gretchen Cummings, Jenny Marsden, Julia Saperia, Philippa Gardner
Arranged By [Brass] - Avshalom Caspi
Art Direction, Design - Rob Crane
Bass Vocals - Chris Brasted, Chris Wright, Henry Ross, Malcolm Aldridge, Mark Rivers-Moore, Peter Jennings, Stephen Hall, Tim Meunier, Tom Smith
Choir - The Exmoor Singers Of London
Contractor [Brass Players] - Hilary Skewes
Directed By [Choir Music Director] - James Jarvis
Management - Simon White, Tony Perrin
Mastered By - Guy Davie
Mixed By - Alan Moulder
Mixed By [Mix Assistant] - Darren Lawson
Photography By - Perry Curties
Producer - Jacknife Lee, Paul Epworth
Programmed By, Keyboards - Jacknife Lee
Recorded By [Choral And Brass Parts, Assisted By] - Tom Hough
Recorded By [Choral And Brass Parts] - Phil Rose
Recorded By [Jacknife Lee Sessions], Programmed By [Additional] - Sam Bell
Recorded By [Paul Epworth Sessions, Assisted By] - Matt Wiggins
Recorded By [Paul Epworth Sessions] - Mark Rankin
Soprano Vocals - Alex Cope, Charlotte Nicklin, Claire Fletcher, Hayley Kruger, Ingalo Thomson, Rebecca Wallis, Rhian Walther, Roz Sherris
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Notes
In oversized (135x135 mm) o-card.
Jacknife Lee sessions recorded at The Garage in Kent. Paul Epworth sessions recorded at The Pool, Miloco, London. Choral and brass parts recorded at Olympic Studios, London.
Mixed at Assault and Battery, London.
Track 11, "Ion Square", contains elements from the poem "I Carry Your Heart With Me" written by E. E. Cummings.
Enhanced part of this CD gives access to a microsite containing 11 live in the studio (The Pool) tracks.
℗2008 Bloc Party, under exclusive license to Wichita Recordings
©2008 Bloc Party, under exclusive license to Wichita Recordings.
The copyright in this sound recording is owned by Bloc Party, and is exclusively licensed to Wichita Recordings.
Made in the EU.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: UK |
| Release Date: 2008 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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