| Title |
Price |
GBP |
Media |
Condition |
Label |
| The 20/20 Experience |
3.23 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
RCA 88765478502 |
| Item Number: 2191023113 2088 |
nm/nm 358494
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Tracklist
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| 1 | Pusher Love Girl | 8:02 | | 2 | Suit & Tie | 5:26 | | 3 | Don't Hold The Wall | 7:10 | | 4 | Strawberry Bubblegum | 7:59 | | 5 | Tunnel Vision | 6:46 | | 6 | Spaceship Coupe | 7:17 | | 7 | That Girl | 4:47 | | 8 | Let The Groove Get In | 7:11 | | 9 | Mirrors | 8:05 | | 10 | Blue Ocean Floor | 7:22 |
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Barcode and Identifiers
Barcode: 8 87654 78502 2
Rights Society: BIEM / GEMA
Label Code: LC 00316
Matrix / RunoutVariant 1: [Sony Music logo] 55426826/88765478502-1 21
Mastering SID CodeVariant 1: IFPI LB47
Mould SID CodeVariant 1: IFPI 0799
Matrix / RunoutVariant 2: [Sony Music logo] 55426826/88765478502-1 21
Mastering SID CodeVariant 2: IFPI LB47
Mould SID CodeVariant 2: IFPI 0770
Matrix / RunoutVariant 3: [Sony Music logo] 55426826/88765478502-1 21
Mastering SID CodeVariant 3: IFPI LB47
Mould SID CodeVariant 3: IFPI 0784
Matrix / RunoutVariant 4: [Sony Music logo] 55426826/88765478502-1 21
Mastering SID CodeVariant 4: IFPI LB47
Mould SID CodeVariant 4: IFPI 0761
Credits
A&R - Andre Person
Creative Director - Doug Lloyd, Jason Evans
Engineer - Chris Godbey (Tracks: 1 to 10)
Guitar - Elliot Ives, Justin Timberlake (Tracks: 9)
Horns - Benjamin Wright (Tracks: 6), The Benjamin Wright String Orchestra (Tracks: 6, 8), The Regiment Horns (Tracks: 1, 7, 8)
Keyboards - Jerome Harmon (Tracks: 1 to 10)
Management [Brand Visibility] - Louis Muckle, Sonia Muckle, Victor Trevino
Management [Business] - Barry Klarberg, Tom Fitzgerald
Management [Digital Team] - Brad Margolis, Faith Ann Young, Rachael Yarbrough, Trace Ayala
Management [Just-In Time Entertainment, Inc.] - Paul & Lynn Harless
Management [Legal Representation] - Alicia Winfield Sydney, David Lande
Management [Operations Manager] - Renee Earnest
Management [Wright Entertainment] - Johnny Wright
Mastered By [Album Mastering] - Dave Kutch
Mixed By - Chris Godbey, Jimmy Douglass, Justin Timberlake
Mixed By [Assisted By] - Alejandro Baima (Tracks: 1, 3 to 10)
Other [Groomer] - Johnny Hernandez
Other [Personal Assistant To Mr Timberlake] - Jeffrey Miller
Other [Stylist] - Michael Nash
Other [Wardrobe] - Tom Ford
Percussion - Terral Santiel (Tracks: 8)
Photography By - Tom Munro
Producer - Jerome Harmon (Tracks: 1 to 10), Justin Timberlake, Timbaland (Tracks: 1 to 10)
Producer [All Vocals], Arranged By [All Vocals] - Justin Timberlake
Producer [All V - The Tennessee Kids
Notes
Timbaland appears courtesy of Interscope Records.
Jay-Z appears courtesy of Roc Nation.
Track 2 contains a portion of the composition "Sho' Nuff" published by Warner/Chappell Music Inc. o/b/o itself, Dynatone Publishing Company and Unichappell Music, Inc. (BMI).
Track 7 contains a sample from "Self Destruct" as performed by , published by Calderwood Inc. o/b/o itself and Haka Taka Music (BMI), used courtesy of Sanctuary Records, a division of Universal Music Group.
Track 8 contains a sample from the recording "Alhamdulillaahi" from the release Explorer Series:Africa-Burkina Faso: Rythmns of the Grasslands. Produced under license from Nonesuch Records, Inc. by arrangement with Rhino Entertainment Company, a Warner Music Group company.
1, 6: recorded and mixed at Larrabee Studios, North Hollywood, CA. Strings and horns recorded at EastWest Studios, Los Angeles, CA.
2: engineered at Jungle City Studios, NYC. Mixed at Larrabee Studios, North Hollywood, CA.
3 to 5, 7, 8, 10: recorded and mixed at Larrabee Studios, North Hollywood, CA.
9: recorded and mixed at Larrabee Studios, North Hollywood, CA. Strings recorded at EastWest Studios, Los Angeles, CA.
Album mastering @ Mastering Palace.
Publishing
1, 3 to 6, 8 to 10: Tenman Music (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP).
2: Tenman Music (ASCAP) (admin by Universal Music- Z - Tunes), VB Rising/Ole (ASCAP), Carter Boys Music (admin by Warner-Chappell Music, Inc.) (ASCAP), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP), Warner-Chappell Music, Inc. o/b/o itself, Dynatone Publishing Company and Unichappell Music, Inc. (BMI).
7: Tenman Music (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerom
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2013-03-15 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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