| Title |
Price |
GBP |
Media |
Condition |
Label |
| The Best Of |
4.31 |
|
2CD |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Parlophone 724352987122 |
| Item Number: 2081186411 329168 |
ex+/ex+/nm, slipcase is ex [329168]
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Tracklist
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| 1-1 | Beetlebum | 5:05 | | 1-2 | Song 2 | 2:02 | | 1-3 | There's No Other Way | 3:13 | | 1-4 | The Universal | 4:00 | | 1-5 | Coffee And TV | 5:18 | | 1-6 | Parklife | 3:07 | | 1-7 | End Of A Century | 2:46 | | 1-8 | No Distance Left To Run | 3:26 | | 1-9 | Tender | 7:41 | | 1-10 | Girls And Boys | 4:18 | | 1-11 | Charmless Man | 3:33 | | 1-12 | She's So High | 3:49 | | 1-13 | Country House | 3:57 | | 1-14 | To The End | 3:51 | | 1-15 | On Your Own | 4:27 | | 1-16 | This Is A Low | 5:02 | | 1-17 | For Tomorrow | 6:02 | | 1-18 | Music Is My Radar | 5:29 | | Recorded Live At Wembley Arena 11/12/99 | | | 2-1 | She's So High | 5:24 | | 2-2 | Girls And Boys | 4:21 | | 2-3 | To The End | 4:08 | | 2-4 | End Of A Century | 3:00 | | 2-5 | Stereotypes | 3:27 | | 2-6 | Charmless Man | 3:31 | | 2-7 | Beetlebum | 6:09 | | 2-8 | M.O.R | 3:09 | | 2-9 | Tender | 6:20 | | 2-10 | No Distance Left To Run | 4:08 |
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Barcode and Identifiers
Barcode: 7 24352 98712 2
BarcodeScanned: 724352987122
Label Code: LC 8514
Rights Society: BEL BIEM
Price CodeF: PM520
Matrix / RunoutCD1, Variant 1: EMI UDEN 5298682 @1 1-1-2-NL
Mastering SID CodeCD1, Variant 1: IFPI L046
Mould SID CodeCD1, Variant 1: IFPI 15A2
Matrix / RunoutCD2, Variant 1: EMI UDEN BESTCD 33 @1 1-1-5-NL
Mastering SID CodeCD2, Variant 1: IFPI L047
Mould SID CodeCD2, Variant 1: IFPI 1506
Matrix / RunoutCD1, Variant 2: EMI UDEN 5298682 @1 1-1-1-NL
Mastering SID CodeCD1, Variant 2: IFPI L046
Mould SID CodeCD1, Variant 2: ifpi 1508
Matrix / RunoutCD2, Variant 2: EMI UDEN BESTCD 33 @1 1-1-8-NL
Mastering SID CodeCD2, Variant 2: IFPI L047
Mould SID CodeCD2, Variant 2: ifpi 15B0
Credits
Art Direction, Design - Dan Poyner, Jeremy Plumb
Bass - Alex James
Drums - Dave Rowntree
Engineer - Andy Ross (Tracks: 2-1 to 2-10), Jason Cox (Tracks: 1-5, 1-8, 1-9), John Smith (Tracks: 1-1, 1-2, 1-4 to 1-11, 1-13 to 1-17), Stephen Street (Tracks: 1-3), William Orbit (Tracks: 1-5, 1-8, 1-9)
Engineer [Assistant] - Addi 800 (Tracks: 1-5, 1-8, 1-9), Gerard Navarro (Tracks: 1-5, 1-8, 1-9), Iain Roberton (Tracks: 1-5, 1-8, 1-9)
Engineer [Assisted By] - Ian Dykoff (Tracks: 2-1 to 2-10)
Guitar - Graham Coxon
Illustration [Portraits] - Julian Opie
Lyrics By - Damon Albarn (Tracks: 1-1 to 1-4, 1-6 to 2-10), Graham Coxon (Tracks: 1-9, 2-9)
Mixed By - Alistair Clay (Tracks: 2-1 to 2-10)
Mixed By [Assistant] - Jack Clark (Tracks: 2-1 to 2-10)
Music By - Alex James, Damon Albarn, Dave Rowntree, Graham Coxon
Photography By [Band Photo] - Greg Williams
Producer - Stephen Street (Tracks: 1-1 to 1-4, 1-6, 1-7, 1-10, 1-11, 1-13, 1-15 to 1-17), William Orbit (Tracks: 1-5, 1-8, 1-9)
Producer [Assisted By] - Julia Gardner (Tracks: 1-1, 1-2, 1-4, 1-11, 1-13, 1-15), Tom Girling (Tracks: 1-1, 1-2, 1-4, 1-11, 1-13, 1-15)
Programmed By [Protools] - Damian LeGassick (Tracks: 1-5, 1-8, 1-9), Sean Spuehler (Tracks: 1-5, 1-8, 1-9)
Recorded By - Fleetwood Mobiles (Tracks: 2-1 to 2-10)
Vocals - Damon Albarn
Notes
℗ 2000 The copyright in this compilation is owned by EMI Records Ltd.
© 2000 EMI Records Ltd.
Printed in EU.
Disks printed on rim only.
CD2 contains tracks recorded live at Wembley Arena for Blur Singles Night on 11/12/99.
16-Page Booklet.
Publishing:
Tracks 1-1, 1-2, 1-5, 1-8, 1-9, 1-15, 1-18 : EMI Publishing Ltd.
Tracks 1-3, 1-4, 1-6, 1-7, 1-10 to 1-17, 2-1 to 2-10: MCA Music Publishing Ltd.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2000 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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