| Title |
Price |
GBP |
Media |
Condition |
Label |
| Son Of My Father |
28.01 |
|
LP |
Good (G)/Very Good (VG) |
Hansa 86055IT |
| Item Number: 2081165756 304891 |
vg+/g+, gatefold, name written on cover [304891]
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Tracklist
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| A1 | Son Of My Father | 3:42 | | A2 | Lord (Release Me) | 3:41 | | A3 | That's How I See Her | 3:13 | | A4 | Pauline | 2:54 | | A5 | Automation | 4:12 | | B1 | London Traffic | 3:49 | | B2 | Underdog | 3:53 | | B3 | Spanish Disaster | 5:00 | | B4 | Watch Your Step | 3:24 | | B5 | Tears | 2:20 |
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Identifiers
Rights SocietyBoxed: GEMA
Credits
Arranged By, Directed By, Guitar, Synthesizer [Moog] - Giorgio Moroder
Art Direction, Graphic Design - Manfred Vormstein
Backing Vocals [Background Vocals] - Giorgio Moroder
Coordinator, Guitar - Pete Bellotte
Drums, Percussion - Keith Forsey
Engineer - Günther Zipelius
Guitar - Paul Vincent
Illustration - Dieter Ziegenfeuter
Keyboards - Max Greger Jr.
Photography - Dieter Zill
Producer - Giorgio Moroder
Synthesizer [Moog], Bass, Keyboards - Fritz Muschler
Notes
is written on inlay of the album:
"Giorgio rang me at about 4 o'clock and said:
"Pete, 'Son Of My Father' is No. 1 in England and has just broken the American charts: so let's start on a L.P. today, ok?"
And that's how Giorgio is - an impulsive, inexhaustible complex of musical ideas and developments.
So off we went into the studios and Giorgio got out of his many assorted instruments: the MoogSynthesizer, his piano, guitar, percussion manifold, bass guitar, called in a couple of musician friends and there Giorgio worked for six days and nights putting all his energy into this L.P.
So here's just a minute sample of Giorgio's immensa talent; it's a taste of things to come. So sit back and listem to the that is putting Germany back on the musical map of the world!
Pete Bellotte"
thes songs appear on Die Klosterschülerinnen (1972) soundtrack made by Giorgio Moroder:
Tears
Underdog
Son Of My father
Shirocco - Es War Nur Ein Traum is a reworked version of "Tears" with vocals.
"Tears" is (Instrumental)
"Tears" was sampled by DJ Shadow.
this songs appear on Oswalt Kolle: Liebe als Gesellschaftsspiel (1972):
"Automation"
Son Of My Father is Written by Giorgio Moroder and Michael Holm as "Nachts Scheint Die Sonne" on 1971 for album "Michael Holm"
And Pete Bellotte is credited in this song for english lyrics.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Germany |
| Release Date: 1972 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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