| Title |
Price |
GBP |
Media |
Condition |
Label |
| Worldwide Underground |
3.23 |
|
CD |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Motown 0602498609088 |
| Item Number: 2081214017 349589 |
ex+/ex+ [349589]
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Tracklist
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| 1 | Intro - World Keeps Turnin' | 1:39 | | 2 | Bump It | 8:49 | | 3 | Back In The Day (Puff) | 4:47 | | 4 | I Want You | 10:53 | | 5 | Woo | 3:14 | | 6 | The Grind | 2:49 | | 7 | Danger | 5:49 | | 8 | Think Twice | 3:02 | | 9 | Love Of My Life Worldwide | 5:26 | | 10 | Outro - World Keeps Turnin' | 4:05 | | Bonus Track: | | | 11 | Love Of My Life (An Ode To Hip Hop) | 3:50 |
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Barcode and Identifiers
Barcode: 6 02498 60908 8
BarcodeString: 602498609088
Label Code: lc00881
Rights Society: biem/mcps
Matrix / Runout: MADE IN GERMANY BY UNIVERSAL M & L A
Matrix / RunoutVariant 1: 06024 986 090-8 01 / 51422977
Mastering SID CodeVariant 1, 3: IFPI LV26
Mould SID CodeVariant 1: IFPI 0119
Matrix / Runout: MADE IN GERMANY BY UNIVERSAL M & L F
Matrix / RunoutVariant 2: 06024 986 090-8 03 / 51422977
Mastering SID CodeVariant 2: IFPI L001
Mould SID CodeVariant 2: IFPI 0129
Matrix / RunoutVariant 3: 06024 986 090-8 02 ✲ 51422977
Mould SID CodeVariant 3: IFPI 0125
Matrix / Runout: MADE IN GERMANY BY UNIVERSAL M & L A
Matrix / RunoutVariant 4: 06024 986 090-8 02 ✲ 51422977
Mastering SID CodeVariant 4: IFPI LV26
Mould SID CodeVariant 4: IFPI 0115
Matrix / RunoutVariant 5: 06024 986 090-8 03 / 51422977 MADE IN GERMANY BY UNIVERSAL M & L A
Mastering SID CodeVariant 5: IFPI L001
Mould SID CodeVariant 5: IFPI 0113
Matrix / RunoutVariant 6: MADE IN GERMANY BY UNIVERSAL M & L A
Matrix / RunoutVariant 6: 06024 986 090-8 01 ✲ 51422977
Mastering SID CodeVariant 6: IFPI LV26
Mould SID CodeVariant 6: IFPI 0139
Credits
A&R [A&R Manager] - Lyonel Rosemond
Arranged By - Erykah Badu
Art Direction - Erykah Badu, Kenny Gravillis
Bass [All] - Braylon Lacy
Creative Director - Sandy Brummels
Design - Gravillis Inc.
Executive-Producer - Erykah Badu, Kedar Massenburg
Executive-Producer [Co] - James Poyser, RC Williams, Rashad Smith, Tom Soares
Executive-Producer [Executive Executive Producer] - God
Illustration [All Ink Pen Drawings] - Erykah Badu
Management [Accountant] - V. Brown & Associates
Management [Appletree Café, Inc.] - Mike Knight, Ward White IV
Mastered By - Chris Athens
Other [Make-Up] - Melanie Harris
Other [Styling] - Carlton Jones
Painting - Juan Austin
Photography By - Marc Baptiste
Producer - Freakquency (Tracks: 2 to 9), dead prez (Tracks: 6)
Product Manager [Marketing Director] - Lynn M. Scott
Written-By - Erykah Badu (Tracks: 1 to 5, 7 to 11), dead prez (Tracks: 6)
Notes
Track 2
Divine Pimp Publishing/Tribes Of Kedar BMI Songs (ASCAP)/Jajapo Music (ASCAP/Universal)/I-N-I Vibrations (ASCAP)/Sadiyah's Music (BMI)/Janice Combs Publishing (BMI)
Recorded & mixed for Reel For Reel
Recorded at: Electric Lady Studios, NYC
Additional recording at: The Studio, Philadelphia, PA & Palmyra, Dallas, TX
Mixed at: Right Track Recording Studios, NYC.
Track 3
Divine Pimp Publishing/Tribes Of Kedar BMI Songs (ASCAP)/Jajapo Music (ASCAP/Universal)/I-N-I Vibrations (ASCAP)/Sadiyah's Music (BMI)/Janice Combs Publishing (BMI)
Recorded & mixed for Reel For Reel
Mixed at: Luminous, Dallas, TX
Recorded at: Electric Lady Studios, NYC, The Studio, Philadelphia, PA & Circle House, Miami, FL
Lenny Kravitz appears courtesy of Virgin Records America, Inc.
Contains an interpolation of "Face To Face" by Flight.
Track 4
Divine Pimp Publishing/Tribes Of Kedar BMI Songs (ASCAP)/Jajapo Music (ASCAP/Universal)/I-N-I Vibrations (ASCAP)/Sadiyah's Music (BMI)/Janice Combs Publishing (BMI)
Recorded & mixed for Reel For Reel
Additional recording at: Electric Lady Studios, New York, NY & The Studio, Philadelphia, PA
Mixed at: Right Track Recording Studios, NYC
Track 5
Divine Pimp Publishing/Tribes Of Kedar BMI Songs (ASCAP)/Rexmillions (ASCAP)
Recorded & mixed for Reel For Reel
Recorded at: Luminous Sound, Dallas, TX
Mixed at: Right Track Recording Studios, NYC
Contains interpolation of "Sometimes" by Erykah Badu (E. Badu, The Roots, R. Nichols, J. Poyser)
Track 6
Ghetto Marshel Arts (BMI) War Of Art (BMI)/I-N-I Vibrations (ASCAP)/Sadiyah's Music (BMI)/Janice Combs Publishing (BMI)
Recorded & mixed for Reel For Reel
Recorded at: Compass Point, Nassau, Bahamas
Mixed for Team B / Loreal Inc.
Mixed at Sound On Sound, NYC
Track 7
Rexamillions (ASCAP)/Divine Pimp Publishing/Tribes Of Kedar BMI Songs (ASCAP)/Jajapo Music (ASCAP/Universal)/I-N-I Vibrations (ASCAP)/Sadiyah's Music (BMI)/Janice Combs Publishing (BMI)
Recorded for Reel For Reel
Recorded at: Electric Lady Studios, N
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2003 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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