| Title |
Price |
GBP |
Media |
Condition |
Label |
| Swing, Swing, Swing |
4.31 |
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LP |
Near Mint (NM or M-)/Very Good Plus (VG+) |
RCA Camden CAS624E |
| Item Number: 2081202029 342732 |
ex+/nm [342732]
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Tracklist
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| A1 | Chloe (Song Of The Swamps) | 3:10 | | A2 | Who? | 3:11 | | A3 | Cuckoo In The Clock | 2:55 | | A4 | Make Believe | 2:50 | | A5 | When A Lady Meets A Gentleman Down South | 2:35 | | B1 | Bach Goes To Town | 2:40 | | B2 | I Had To Do It | 3:08 | | B3 | Handful Of Keys | 2:20 | | B4 | Popcorn Man | 3:05 | | B5 | Hunkadola | 3:00 |
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Identifiers
Rights Society: GEMA
Matrix / RunoutSide A: LP Ste - PCRS - 5307 - X U [Stamp:] Manufactured in Germany S-IV-H H
Matrix / RunoutSide B: LP Ste - PCRS - 5308 - X U [Stamp:] Manufactured in Germany S-I-H H
Credits
Bass - Harry Goodman (Tracks: A1, A3, A5, B1, B2, B4, B5), Walter Page (Tracks: A4)
Clarinet - Benny Goodman
Drums - Buddy Schutz (Tracks: A3, B1), Dave Tough (Tracks: B2), Gene Krupa (Tracks: A1, A2, A5, B3, B4, B5), Lionel Hampton (Tracks: A4)
Ensemble - Benny Goodman Trio (Tracks: A2), The Benny Goodman Quartet (Tracks: B3)
Guitar - Allan Reuss (Tracks: A1, A5, B4), Ben Heller (Tracks: A3, B1, B2), Freddie Green (Tracks: A4), George Van Eps (Tracks: B5)
Liner Notes - Earl Forbes
Orchestra - Benny Goodman And His Orchestra
Piano - Frank Froeba (Tracks: B5), Jess Stacy (Tracks: A1, A3, A4, A5, B1, B2, B4), Teddy Wilson (Tracks: A2, B3)
Saxophone - Arthur Rollini (Tracks: A1, A3, A5, B1, B2, B4, B5), Babe Russin (Tracks: A4), Bill DePew (Tracks: A1, A5), Bud Freeman (Tracks: B2), Dave Matthews (Tracks: A4, B1, B2), Dick Clark (Tracks: B5), George Koenig (Tracks: B4), Hymie Schertzer (Tracks: A1, A3, A4, A5, B4, B5), Jerry Jerome (Tracks: A3, B1), Lester Young (Tracks: A4), Noni Bernardi (Tracks: A3, B1, B2), Toots Mondello (Tracks: B5), Vido Musso (Tracks: A1), Vido Musso (Tracks: A5, B4)
Trombone - Joe Harris (Tracks: B5), Murray McEachern (Tracks: A1, A5, B4), Red Ballard (Tracks: A1, A3, A4, A5, B1, B2, B4, B5), Vernon Brown (Tracks: A3, A4, B1, B2)
Trumpet - Chris Griffin (Tracks: A1, A3, A4, A5, B1, B2, B4), Harry James (Tracks: A1, A4, B1, B2, B4), Irving Goodman (Tracks: A3), Jerry Neary (Tracks: B5), Pee Wee Erwin (Tracks: B5), Ralph Muzillo (Tracks: B5), Zeke Zarchy (Tracks: A5), Ziggy Elman (Tracks: A1, A3, A4, A5, B1, B2, B4)
Vibraphone - Lionel Hampton
Notes
A1 - Recorded in New York, January 14, 1937
A2 - Recorded in New York, July 13, 1935
A3 - Recorded in New York, February 1, 1939
A4 - Recorded in New York, March 9, 1938
A5 - Recorded in New York, October 7, 1936
B1 - Recorded in New York, December 15, 1938
B2 - Recorded in New York, October 13, 1938
B3 - Recorded in Hollywood, July 30, 1937
B4 - Recorded in New York, October 22, 1937
B5 - Recorded in New York, April 4, 1935
Release date 1964 to 1968.
front cover the same like release/8419678
different label design between 1969 - 1976
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Germany |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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