Title |
Price |
GBP |
Media |
Condition |
Label |
Goodbye Cruel World! |
6.46 |
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2CD |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Relapse Records RR64252 |
Item Number: 2081199224 340838 |
ex+/nm/nm [340838]
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Tracklist
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1-1 | Intro | 0:16 | 1-2 | Dementia | 2:03 | 1-3 | K.A.P. | 2:15 | 1-4 | Choice Of A New Generation | 1:31 | 1-5 | Birth Of Ignorance | 2:56 | 1-6 | Stench Of Profit | 1:49 | 1-7 | Walking Corpse | 1:13 | 1-8 | Sympathy Kiss | 4:28 | 1-9 | Pork Farm | 2:24 | 1-10 | Jemenez Cricket | 4:08 | 1-11 | Repeat At Length | 1:40 | 1-12 | Media Blitz | 0:44 | 1-13 | Fucktoy | 1:18 | 1-14 | Ill-Neglect | 1:44 | 1-15 | Kill Trend Suicide | 3:15 | 1-16 | Cornucopia | 3:21 | 1-17 | Godplayer | 4:27 | 1-18 | I Killed My Family | 2:19 | 1-19 | Time | 4:40 | 1-20 | Denial Of Existence | 3:34 | 1-21 | Hippie Cult | 0:46 | 1-22 | Callous | 3:52 | 1-23 | Zodiac / We Will Rock You | 19:03 | 2-1 | No Sleep | 2:44 | 2-2 | Hippie Cult | 0:50 | 2-3 | Cybergod | 3:40 | 2-4 | Cornucopia | 3:18 | 2-5 | Born To Die | 2:01 | 2-6 | Spare Change | 0:46 | 2-7 | Machine Parts | 4:19 | 2-8 | Collateral Damage X 5 | 0:52 | 2-9 | Fucktoy | 1:30 | 2-10 | Kill Trend Suicide | 2:42 | 2-11 | Bubblebop Shop | 4:02 | 2-12 | Boredoms Cover #2 | 3:47 | 2-13 | Telly | 1:40 | 2-14 | Blind Leading The Blind | 1:40 | 2-15 | Pass Some Down | 1:48 | 2-16 | Vision | 1:21 | 2-17 | Fisting | 1:11 | 2-18 | Die Laughing | 3:00 | 2-19 | Let's Go To War | 2:21 | 2-20 | Zombie | 2:22 | 2-21 | Homesick | 1:19 | 2-22 | Everflow | 0:57 | 2-23 | Dead Smart | 2:59 | 2-24 | Soft Mind | 1:13 | 2-25 | Dethroned Emperor | 4:23 | 2-26 | It's After The End Of The World | 1:58 | 2-27 | Callous | 0:23 | 2-28 | Average People | 2:22 | 2-29 | Black Door Mine | 1:32 | 2-30 | Promise | 2:25 | 2-31 | Foolish Bastard | 1:21 | 2-32 | Bite The Hand | 2:04 | 2-33 | Collateral Damage | 0:15 | File | Let's Go To War | 2:30 |
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Barcode and Identifiers
Barcode: 781676642526 Matrix / RunoutVariant 1, Disc 1: 4500 64252-1 M90824-15 A @ Matrix / RunoutVariant 1, Disc 2: 4500 64252-2 L90816-15 A @ Mastering SID CodeVariant 1, Disc 1: IFPI L806 Mastering SID CodeVariant 1, Disc 2: IFPI L805 Mould SID CodeVariant 1, Disc 1: IFPI 2F48 Mould SID CodeVariant 1, Disc 2: IFPI 2F60 Matrix / RunoutVariant 2, Disc 1: 4500 64252-1 I90819-11 A @ Matrix / RunoutVariant 2, Disc 2: 4500 64252-2 L90816-15 A @ Mastering SID CodeVariant 2, Disc 1: IFPI L802 Mastering SID CodeVariant 2, Disc 2: IFPI L805 Mould SID CodeVariant 2, Disc 1: ifpi 2F34 Mould SID CodeVariant 2, Disc 2: IFPI 2F60
Credits Bass [Opposable Thumbs] - Danny Lilker Cover - Eric Horst, Rich Hoak Drums [Sticks And Stones] - Rich Hoak Guitar [Fingers] - Gurn Mastered By - Dave Shirk Photography By [All Other Photos] - Gurn, Rich Hoak Photography By [Brutal Truth And Brutal Truth On Drugs] - Randy Rath Vocals [Grunts, Groans] - Kevin Sharp Written-By - Brutal Truth (Tracks: 1-1 to 1-10, 1-13 to 1-15, 1-17, 1-19, 1-20, 1-22, 2-1, 2-2, 2-4, 2-6 to 2-10, 2-13 to 2-24, 2-27 to 2-33)
Notes 1.01 to 1.22 recorded live at the Annandale Hotel, Sydney, Australia in August 1998. 1.23 was recorded at Smoke, Grind and Sleep sometime in 1997. Hidden song We Will Rock You starts at 16:56. 2.01 to 2.04 originally appeared as bonus tracks on the Japanese pressing of Sounds Of The Animal Kingdom. 2.05 originally appeared as bonus track on the Japanese pressing of Kill Trend Suicide. 2.06 to 2.10 originally appeared on the [m=491] 7" EP. 2.11 to 2.12 were recorded somewhere in 1993 and no one remembers much else about them, including the name of track 12. [2-11 is actually "Jet Net." 2-12 is "Bubblebop Shot."] 2.13 was recorded in Melbourne, Australia at the Corner Hotel in either 1998 or 1996. 2.14 to 2.23 recorded September 18, 1998 at the Powerstation in Auckland, New Zealand (Brutal Truth's second to last show ever) by some naughty bootlegger. cd-r sent to the band by meat boss records. 2.24 to 2.28 recorded at Club Quattro, Tokyo, Japan on February 12, 1998. 2.29 was recorded at Muse Hall, Kyoto, Japan on February 13, 1998. 2.30 was recorded at On Air West, Shibuya, Tokyo, Japan on February 16, 1998. 2.31 was recorded during a live performance over the airwaves of WFMU in New Jersey, USA on August 29, 1996. 2.32 to 2.33 were recorded at Club Quattro, Tokyo, Japan on February 20, 1995.
Back cover includes a URL for a downloadable .wav file, this URL no longer works "lets go to war bonus track available only at:"
Note [to fans] inside booklet:
"october 30, 1998 brutal truth will disband as of december 1998 due to irreconcilable differences between its members. though fans may be mystified and disappointed , we felt any personal changes would destroy the band's unique musical chemistry.
-bt"
2CD jewel case with 12 page foldout booklet
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: US |
Release Date: 1999-08-24 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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