Title |
Price |
GBP |
Media |
Condition |
Label |
Crazy From The Heat |
4.30 |
|
12" |
Very Good (VG)/Very Good Plus (VG+) |
Warner Bros. Records 9252221 |
Item Number: 2081183474 326295 |
ex-/vg+ [326295]
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Tracklist
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A1 | Easy Street | 3:45 | | Medley | 4:39 | B1 | California Girls | 2:50 | B2 | Coconut Grove | 2:52 |
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Barcode and Identifiers
Barcode: 0 7599-25222-1 BarcodeScanned: 075992522212 Label Code: LC 0392 Rights SocietyBoxed: GEMA/BIEM Price CodeGermany: Ⓖ Price CodeFrance: WE 331 Matrix / RunoutEmbossed stamp on back cover: [Warner W logo] Matrix / RunoutSide A runout, variant 1: R/S Alsdorf 925222-1 A 2 UK Matrix / RunoutSide B runout, variant 1: R/S Alsdorf 925222-1 B3 Matrix / RunoutSide A runout, variant 2: R/S Alsdorf 925222-1 A 2 27 Matrix / RunoutSide B runout, variant 2: R/S Alsdorf 925222-1 B3 UK Matrix / RunoutSide A runout, variant 3: R/S Alsdorf 925222-1 A 2 44 Matrix / RunoutSide B runout, variant 3: R/S Alsdorf 925222-1 B3 45 Matrix / RunoutSide A runout, variant 4: R/S Alsdorf 925222-1 A 2 D [UK crossed out] 36 Matrix / RunoutSide B runout, variant 4: R/S Alsdorf 925222-1 B3 39 Matrix / RunoutSide A runout, variant 5: R/S Alsdorf 925222-1 A 2 64 Matrix / RunoutSide B runout, variant 5: R/S Alsdorf 925222-1 B3 73
Credits Art Direction - Pete Angelus, Vigon Seireeni Backing Vocals - Carl Wilson (Tracks: B1) Bass - Willie Weeks (Tracks: A1 to B1) Drums - John Robinson (Tracks: A1 to B1) Engineer - Jeff Hendrickson Engineer [Additional] - Mark Linett Engineer [Assistant] - Garry Rindfuss, Tom Fouce Guitar - Dean Parks (Tracks: B2), Eddie Martinez (Tracks: A1 to B1), Sid McGinnis (Tracks: A1 to B1) Keyboards, Saxophone, Backing Vocals - Edgar Winter (Tracks: A1 to A2.2) Mastered By - Howie Weinberg Percussion - Sammy Figueroa (Tracks: A1 to B1) Photography By [Cover] - Chris Simpson, Kazuyoshi Miyoshi Photography By [Inner Sleeve] - Raul Vega Producer - Ted Templeman Synthesizer - Brian Mann (Tracks: A1 to B1), Edgar Winter (Tracks: B1), James Newton Howard (Tracks: B2) Vocals - David Lee Roth
Notes Easy Street originally by Dan Hartman. California Girls originally by The Beach Boys. Just A Gigolo originally by Louis Prima. Coconut Grove originally by The Lovin' Spoonful.
Recorded and Mixed at The Power Station, New York and Lion Share Recording Studio, Los Angeles
Additional Recording at Amigo Studios, North Hollywood Originally Mastered at Masterdisk, New York
Manufactured in Germany by Record Service GmbH, Alsdorf. Pressé en Allegmagne par Record Service GmbH, Alsdorf. A Warner Communications Company. Made in Germany by WEA Musik GmbH
Difference with David Lee Roth - Crazy From The Heat is France WE 331 here instead of WE 341.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Europe |
Release Date: 1985 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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