Kristine Blond
Title Price GBP  Media  Condition  Label 
All I Ever Wanted 3.23  CD  Very Good Plus (VG+)/Near Mint (NM or M-)  WEA Records 0927411962
Item Number: 2081176814 318992

nm/ex [318992]


            
            
            




Tracklist
 
1You Make Me Go Oooh (Supa'Flyas Mix)3:39
2All I Ever Wanted3:46
3Coming Up For Air3:42
4You Belong To Someone Else (C&J Mix)3:22
5Teach Him3:56
6This Is How I Wanna Be3:42
7Naturally3:24
8Green Light3:52
9This Party3:17
10Hell No3:21
11Love Shy (Club Asylum Radio Mix)3:39


Barcode and Identifiers
Barcode: 809274119629
Matrix / RunoutVariant 1, 2: 092741196-2 09/01
Mastering SID CodeVariant 1, 2: IFPI L011
Mould SID CodeVariant 1: IFPI 05M2
Mould SID CodeVariant 2: IFPI 0576
Label Code: LC 00535
Rights Society: GEMA / BIEM


Credits
Design - WAPS
Executive Producer - Cutfather & Joe
Mastered By - Jan Eliasson
Photography - Kasskara Photographie

Notes
Track 1: Published by Careers-BMG Music Publishing, Inc (BIMO) - Oh Suki Music/(BMI)/Cutfather & Joe Music - Warner Chappell Music Ltd.
Track 2: Published by Universal-Polygram Intl Publishing Inc. (ASCAP) - Angelou Music (ASCAP) - Cuthfather & Joe Music - Warner Chappell Music Ltd
Track 3: Published by WHK Music (ASCAP) administered for the world by PEN Music Group, Inc./Cutfather & Joe Music - Warner Chappell Music Ltd.
Track 4: Published by BMG Music Publishing Scandinavia / Zomba Music Publishers / Cutfather & Joe Music - Warner Chappell Music Ltd
Track 5: Published by Sony/ATV Tunes LLC - God's Cryin' Publishing (ASCAP) / Ghetto Fabolous Entertainment - Warner Chappell Music Ltd / Cutfather & Joe Music - Warner Chappell Music Ltd
Track 6: Published by BMG Music Publishing Scandinavia / Zomba Music Publishers / K' Stuff Publishing/EMI Music Publishing (ex-US)(BMI) / Cutfather & Joe Music - Warner Chappell Music Ltd
Track 7: Published by Remee Songs (KODA / NCB) / Cutfather & Joe Music - Warner Chappell Music Ltd
Track 8: Published by Turtle Wins The Race, Annotation Music (ASCAP) administered by WB Music Corp. / Cutfather & Joe Music - Warner Chappell Music Ltd
Track 9: Published by BMG Music Publishing Scandinavia / Zomba Music Publishers / Cutfather & Joe Music - Warner Chappell Music Ltd
Track 10: Published by Warner Chappell Music Denmark
Track 11: Published by Reemann Music, Connotation Music (BMI) administered by Warner-Tamerlane Publishing Corp. All lyrics reproduced by kind permission of the publishers & IMP Ltd. All rights reserved.

Track 1: Vocals produced for XL Talent Partnership
Mix engineered at White Room, Copenhagen
Track 2, 3, 4, 5, 6, 8, 9: Produced for XL Talent Partnership at C & J Studio, Copenhagen
Mixed at White Room, Copenhagen
Track 7: Mix engineered at White Room, Copenhagen
Track 10: Mixed at Mark Studio, Copenhagen
Track 11: Produced for XL Talent Partnership at C & J Studio, Copenhagen

Mastered at Tocano, Copenhagen

℗ + © 2001 Mi


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Europe
Release Date: 2001-08-24

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20


Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Questions:
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