Title |
Price |
USD |
Media |
Condition |
Label |
The Fabulous Forties Volume 2 1944/47 |
5.39 |
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LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Rarities (2) 59 |
Item Number: 2081165918 305065 |
ex+/ex [305065]
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Tracklist
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A1 | C Jam Blues | | A2 | Sophisticated Lady | | A3 | I Can't Give You Anything But Love | | A4 | It Don't Mean A Thing | | A5 | On The Sunny Side Of The Street | | A6 | Moon Mist | | A7 | Thme & Intro | | A8 | Happy Go Lucky Local | | A9 | The Beautiful Indians - Minehaha | | B1 | The Beautiful Indians - Hiawatha | | B2 | Warm Valley | | B3 | Frustration | | B4 | Air Conditioned Jungle | | B5 | Frantic Fantasy | | B6 | Medley | | B6a | In A Sentimental Mood | | B6b | Mood Indigo | | B6c | Sophisticated Lady | | B6d | Caravan | | B6e | Don't Get Around Much Anymore | |
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Credits Alto Saxophone - Otto Hardwick (Tracks: B3 to B6) Alto Saxophone, Clarinet - Eddie Barefield (Tracks: A1 to A9, B1, B2), Russell Procope (Tracks: A1 to A9, B1, B2) Alto Saxophone, Soprano Saxophone - Johnny Hodges Baritone Saxophone, Bass Clarinet, Clarinet - Harry Carney Bass - Junior Raglin (Tracks: B3 to B6), Oscar Pettiford (Tracks: A1 to A9, B1, B2) Drums - Hillard Brown (Tracks: B3 to B6), Sonny Greer (Tracks: A1 to A9, B1, B2) Guitar - Fred Guy Piano - Duke Ellington Tenor Saxophone - Al Sears Tenor Saxophone, Clarinet - Jimmy Hamilton Trombone - Claude Jones, Joe Nanton (Tracks: B3 to B6), Lawrence Brown, Wilbur De Paris (Tracks: A1 to A6) Trumpet - Cat Anderson (Tracks: B3 to B6), Francis Williams (Tracks: A1 to A9, B1, B2), Harold Baker (Tracks: A1 to A9, B1, B2), Rex Stewart (Tracks: B3 to B6), Shelton Hemphill, Taft Jordan (Tracks: A1 to A6, B3 to B6) Trumpet, Violin - Ray Nance Vocals - Al Hibbler (Tracks: A1 to A9, B1, B2), Kay Davis (Tracks: A1 to A9, B1, B2)
Notes Tracks A1 to A6: May 10, 1947, WNEW New York City. Tracks A7 to A9 and B1, B2: July 1947, Ciro's Restaurant, Hollywood, California. Tracks B4 to B6: December 19, 1944 Carnegie Hall, New York City.
This unofficial release copies the mistake on other similar LPs by listing Eddie Barefield on trumpet, he played alto saxophone and clarinet in Duke Ellington's band.
Johnny Hodges is listed as playing soprano saxophone on the 1947 selections, but everything I have read says he gave up the instrument after 1940. I am listing it anyway until I get a chance to hear this LP again. Hodges is omitted from the credits to the 1944 Carnegie Hall concert, though he is listed on the Prestige 2 LP set of that same concert. None of the selections on this Rarities LP appear on the Prestige LP. Since his sound is so distinctive, it is unlikely that he is not present on these tracks.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Denmark |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
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Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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