Duke Ellington & His Orchestra
Title Price USD  Media  Condition  Label 
The Fabulous Forties Volume 2 1944/47 5.39  LP  Very Good Plus (VG+)/Very Good Plus (VG+)  Rarities (2) 59
Item Number: 2081165918 305065

ex+/ex [305065]


            




Tracklist
 
A1C Jam Blues
A2Sophisticated Lady
A3I Can't Give You Anything But Love
A4It Don't Mean A Thing
A5On The Sunny Side Of The Street
A6Moon Mist
A7Thme & Intro
A8Happy Go Lucky Local
A9The Beautiful Indians - Minehaha
B1The Beautiful Indians - Hiawatha
B2Warm Valley
B3Frustration
B4Air Conditioned Jungle
B5Frantic Fantasy
B6Medley
B6aIn A Sentimental Mood
B6bMood Indigo
B6cSophisticated Lady
B6dCaravan
B6eDon't Get Around Much Anymore



Credits
Alto Saxophone - Otto Hardwick (Tracks: B3 to B6)
Alto Saxophone, Clarinet - Eddie Barefield (Tracks: A1 to A9, B1, B2), Russell Procope (Tracks: A1 to A9, B1, B2)
Alto Saxophone, Soprano Saxophone - Johnny Hodges
Baritone Saxophone, Bass Clarinet, Clarinet - Harry Carney
Bass - Junior Raglin (Tracks: B3 to B6), Oscar Pettiford (Tracks: A1 to A9, B1, B2)
Drums - Hillard Brown (Tracks: B3 to B6), Sonny Greer (Tracks: A1 to A9, B1, B2)
Guitar - Fred Guy
Piano - Duke Ellington
Tenor Saxophone - Al Sears
Tenor Saxophone, Clarinet - Jimmy Hamilton
Trombone - Claude Jones, Joe Nanton (Tracks: B3 to B6), Lawrence Brown, Wilbur De Paris (Tracks: A1 to A6)
Trumpet - Cat Anderson (Tracks: B3 to B6), Francis Williams (Tracks: A1 to A9, B1, B2), Harold Baker (Tracks: A1 to A9, B1, B2), Rex Stewart (Tracks: B3 to B6), Shelton Hemphill, Taft Jordan (Tracks: A1 to A6, B3 to B6)
Trumpet, Violin - Ray Nance
Vocals - Al Hibbler (Tracks: A1 to A9, B1, B2), Kay Davis (Tracks: A1 to A9, B1, B2)

Notes
Tracks A1 to A6: May 10, 1947, WNEW New York City.
Tracks A7 to A9 and B1, B2: July 1947, Ciro's Restaurant, Hollywood, California.
Tracks B4 to B6: December 19, 1944 Carnegie Hall, New York City.

This unofficial release copies the mistake on other similar LPs by listing Eddie Barefield on trumpet, he played alto saxophone and clarinet in Duke Ellington's band.

Johnny Hodges is listed as playing soprano saxophone on the 1947 selections, but everything I have read says he gave up the instrument after 1940. I am listing it anyway until I get a chance to hear this LP again. Hodges is omitted from the credits to the 1944 Carnegie Hall concert, though he is listed on the Prestige 2 LP set of that same concert. None of the selections on this Rarities LP appear on the Prestige LP. Since his sound is so distinctive, it is unlikely that he is not present on these tracks.


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Denmark

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20


Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Questions:
Copyright 2001    www.black-light.org