| Title |
Price |
GBP |
Media |
Condition |
Label |
| Throw You Down |
4.31 |
|
LP |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Reprise Records 7599262341 |
| Item Number: 2081159282 293126 |
ex+/nm, with inner [293126]
|
Tracklist
|
| A1 | What He Has | 4:25 | | A2 | You Can Float On My Boat | 3:56 | | A3 | Throw You Down | 3:51 | | A4 | A Man Who Isn't So Smooth | 4:06 | | A5 | High | 4:45 | | B1 | Serious | 4:52 | | B2 | Short Life | 4:44 | | B3 | Got To Be Yourself | 3:53 | | B4 | I Won't Forget | 4:34 | | B5 | Out Of My Hands | 4:22 |
|
Barcode and Identifiers
Barcode: 0 7599-26234-1 4
Rights Society: GEMA/BIEM
Credits
Art Direction, Design - Junie Osaki
Coordinator [Production] - Julie Larson
Edited By - Michael Brooks
Mastered By - Eddy Schreyer, Steve Hall
Photography By - Mark Hanauer
Notes
David Koz appears courtesy of Capitol Records
Siedah Garrett appears courtesy of Qwest Records
Norman "Slam" Whitfield Jr. and Bob Brockmann use Bedini Audio Special Environment
A1 Recorded at Howie Sound, Post Logic, Hollywood Sound, Studio 55, Summa
A2 Recorded at Steve Lindsey Studio, Studio 55, Studio Masters
A3 Recorded at Howie Sound, Studio 55
A4 Recorded at Studio 56, Steve Lindsey Studio, Studio 55, Post Logic
A5 Recorded at Steve Lindsey Studio, Studio Masters, Platinum Island N.Y., Post Logic
B1 Recorded at Howie Sound, Blue Palm Studio
B2 Recorded at Howie Sound, Elumba, Studio 55
B3 Recorded at Howie Sound
B4 Recorded at Studio 55
B5 Recorded at Howie Sound, Steve Lindsey Studio, Studio 55, Post Logic
A1 remixed at Blue Palm Studio
A2, A4, B3 remixed at Studio 56
A3, A5, B5 remixed at Studio 55
B1 remixed at Howie Sound
B2, B4 remixed at Scream Studios
Mastered at Future Disc, Hollywood
Published by
A1 © 1988 Yellow rick Road Music, Adm by W.N. Music Corp. / MCA Music Publishing, a division of MCA, Inc. / Aerostation Corporation, Inc. / Porchester Music, Inc. ASCAP
A2 © 1988 Brian Eliott Publishing ASCAP
A3 © 1988 Geffen Music / Matkowsky Music / Red Chamber Music ASCAP
A4 © 1990 C'est Music / Nonpareil Music, Adm. by W.B. Music Corp. ASCAP
A5 © 1990 Virgin Songs, Inc. / Buffalo Music Factory BMI
B1 © 1990 Music Corp. Of America, Inc. / Limited Funds / Zip Ya Lip Music / Janet Planet Music / Kim-Kev Music BMI
B2 © 1989 Virgin Songs, Inc. / Streamline Moderne / Unicity Music / No Pain No Gain Music BMI
B3 © 1990 Music Corp. Of America, Inc. / Limited Funds / Zip Ya Lip Music / Compulsive Music / Ensign Music BMI
B4 © 1988 Warner - Tamerlane Publishing Corp. BMI / MCA Music Publishing, A Division of MCA, Inc. ASCAP
B5 © 1989 Spinning Platinum Music / W.B. Music Corp. ASCAP / Snow Music BMI
Lyrics reprinted by permission
All rights reserved.
© 1990 Reprise Records for the U.S.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 1990 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
|
|
|
