| Title |
Price |
GBP |
Media |
Condition |
Label |
| Follies - A Broadway Legend (Original London Cast, 1987) |
5.38 |
|
2LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
First Night Records ENCORE3 |
| Item Number: 2081159096 292772 |
ex+/ex+/ex+, gatefold with inner, poster and booklet [292772]
 |
|
Tracklist
|
| Act One | | | A1 | Beautiful Girls | | | A2 | Don't Look At Me | | | A3 | Montage | | | A3.1 | Rain On The Roof | | | A3.2 | Ah! Paree | | | A3.3 | Broadway Baby | | | A4 | Waiting For The Girls Upstairs | | | B1 | Who's That Woman? | | | B2 | In Buddy's Eyes | | | B3 | Country House | | | B4 | Too Many Mornings | | | Act Two | | | C1 | Social Dancing | | | C2 | I'm Still Here | | | C3 | The Right Girl | | | C4 | Could I Leave You? | | | C5 | One More Kiss | | | C6 | Loveland | | | D1 | Love Will See Us Through | | | D2 | Buddy's Blues | | | D3 | Losing My Mind | | | D4 | You're Gonna Love Tomorrow | | | D5 | Ah, But Underneath | | | D6 | Make The Most Of Your Music | | | D7 | You're Gonna Love Tomorrow / Love Will See Us Through (Reprise) | | | D8 | Beautiful Girls - Finale | |
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Barcode
Barcode: 5014636100312
Credits
Alto Saxophone, Flute, Clarinet - John Franchi, Richard Ihnatowicz
Arranged By [Dance Arrangements], Supervised By [Musical Supervision] - Chris Walker
Baritone Saxophone, Clarinet, Bass Clarinet - Cyril Reuben
Bass - Pete Morgan
Cello - Anita Burrowes, Barrie Belcher, David Burrowes, Ruth Alford
Coordinator - John Craig
Design [Libretto Book] - Dewynters
Directed By - Mike Ockrent
Engineer - Dave Hunt
Engineer [Assistant Engineer] - Jonathan Rutley, Sean Cotter
Harp - David Snell, Jane Lister
Horn - Hubert Staar
Keyboards, Music Director [Assistant Musical Director] - Simon Lowe
Leader - Paul Wood
Liner Notes - Michael Billington
Management [Orchestral Managers] - Orchestral Advisory Management
Music By, Lyrics By - Stephen Sondheim
Music Director [Production Music Director] - Martin Koch
Oboe, Cor Anglais - Nicola Woods
Orchestrated By - Jonathan Tunick
Other [Stage Choreographer] - Bob Avian
Other [Stage Designer] - Maria Björnson
Other [Stage Lighting] - Mark Henderson
Other [Stage Producer] - Cameron Mackintosh
Other [Stage Sound] - Andrew Bruce
Percussion - Chris Barron, Peter Beament
Photography By - Michael Le Poer Trench
Producer - Chris Walker
Producer [Associate Producer] - Nicholas Allott
Producer [Associate Record Producer] - David Caddick, Stephen Sondheim
Production Manager [Company Manager] - Robert M. West
Production Manager [Production Administrator] - Howard Harrison
- Bob Sydor
Notes
The First Complete Recording - Original London Cast, 1987. Revised version with new songs.
Recorded and Mixed at CTS Studios, Wembley on a Sony 3324 24 Track digital machine, mixed and edited onto a PCM 1610 system.
Contains:
- Lyrics booklet (12 pages)
- Follies - The Programme booklet (18 pages)
- Follies - The Brochure - picture booklet (10 pages)
Some versions may also have a poster
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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|
| Release Country: UK |
| Release Date: 1987 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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