Title |
Price |
GBP |
Media |
Condition |
Label |
Evita |
5.38 |
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2LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
MCA Records MCA211003 |
Item Number: 2081157701 290062 |
ex+/ex/ex, gatefold with insert [290062]
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Tracklist
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A1 | A Cinema In Bueno Aires, 26 July 1952 | 1:18 | A2 | Requiem For Evita / Oh What A Circus | 9:12 | A3 | On This Night Of A Thousand Stars / Eva And Magaldi / Eva Beware Of The City | 7:10 | A4 | Buenos Aires | 3:43 | A5 | Goodnight And Thank You | 3:39 | B1 | The Lady's Got Potential | 4:38 | B2 | Charity Concert / I'd Be Surprisingly Good For You | 6:10 | B3 | Another Suitcase In Another Hall | 3:58 | B4 | Dangerous Jade | 3:39 | B5 | A New Argentina | 7:08 | C1 | On The Balcony Of The Casa Rosada / Don't Cry For Me Argentina | 9:10 | C2 | High Flying, Adored | 4:26 | C3 | Rainbow High | 2:31 | C4 | Rainbow Tour | 5:17 | C5 | The Actress Hasn't Learned The Lines (You'd Like To Hear) | 2:33 | C6 | And The Money Kept Rolling In (And Out) | 2:34 | D1 | Santa Evita | 1:55 | D2 | Waltz For Eva And Che | 3:42 | D3 | She Is A Diamond | 2:57 | D4 | Dive Are Rolling / Eva's Sonnet | 6:10 | D5 | Eva's Final Broadcast | 3:33 | D6 | Montage | 3:35 | D7 | Lament | 3:58 |
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Identifiers
Matrix / RunoutSide A: 2 11003 A XXXX 10P 78 TA 710 Matrix / RunoutSide B: 2 11003 B 10P 78 TA 710 Matrix / RunoutSide C: 2 11003 C 10P 78 TA 710 Matrix / RunoutSide D: 2 11003 D 10P 78 TA 710 Rights Society: NCB
Credits Bass [Principal Rock Musicians] - Brian Odgers, Mo Foster Conductor - Anthony Bowles Coordinator [Musical] - Alan Doggett Drums, Percussion [Principal Rock Musicians] - Simon Phillips Engineer [Recording] - David Hamilton-Smith Executive-Producer - David Land Harp [Principal Rock Musicians] - David Snell Keyboards [Principal Rock Musicians] - Ann Odell Lacquer Cut By - Torstein Arnedal Lead Guitar [Principal Rock Musicians] - Hank Marvin, Joe Moretti, Ray Russell Orchestra - The London Philharmonic Orchestra Producer, Lyrics By - Tim Rice Producer, Music By, Orchestrated By - Andrew Lloyd Webber Vocals [Che] - Colm Wilkinson Vocals [Dolan Getta & Sidekick] - Mike D'Abo, Mike Smith Vocals [Eva Peron Fund Manager] - Christopher Neil Vocals [Eva Peron] - Julie Covington Vocals [Juan Peron] - Paul Jones Vocals [Magaldi] - Tony Christie Vocals [Mistress] - Barbara Dickson
Notes Different Labels Than Release 4393411. (On THIS release they are Blue MCA Records labels)
On back cover: An opera based on the life story of Eva Peron 1919-1952 Recorded at Olympic Studios, Barnes, London, England, April - September 1976.
MCA Records, Inc., 100 Universal City Plaza, Universal City, California - U.S.A. © 1976 MCA Records, Inc. ℗ 1976 MCA Records, Inc. - TEAM TRYKK
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Scandinavia |
Release Date: 1978 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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