Dazz Band
Title Price GBP  Media  Condition  Label 
Rock The Room 4.30  LP  Near Mint (NM or M-)/Near Mint (NM or M-)  RCA PL86928
Item Number: 2081150906 274592

nm/nm, looks unplayed [274592]


    




Tracklist
 
A1Anticipation4:11
A2Single Girls5:44
A3Open Sesame4:14
A4One Time Lover4:58
B1Body Drum4:15
B2Huff And Puff4:51
B3All The Way3:54
B4Rock The Room4:57
B5Once In A Lifetime Love3:41


Barcode and Identifiers
Barcode: 0 35628 692818
Label Code: LC 0316
Rights Society: BIEM GEMA

Credits
Arranged By - Alvin Fields (Tracks: B3), Dan Hartman (Tracks: A1), Eumir Deodato (Tracks: A1), Ish Ledesma (Tracks: A2, A4, B4), Jim Salamone (Tracks: B5), Keith Harrison (Tracks: A3, A4, B2), Kenny Nolan (Tracks: A3), Marlon McClain (Tracks: A1, A4, B2), Robert Harris (Tracks: A1, A2, B1, B2, B3, B4), Steve Cox (Tracks: B4)
Artwork By [Art Direction, Design] - Pietro Alfieri, Ria Lewerke
Engineer - David Darlington (Tracks: B2, B5), Jon Goldberger (Tracks: A1, A3, B1, B3, B4), Ron Albert (Tracks: A2, A4)
Engineer [Assistant] - Angel Ugarte (Tracks: A1, A3, B1, B3, B4), Henry Falco (Tracks: A4, B2, B5)
Executive Producer - Charles Koppelman, Don Rubin
Guitar - Marlon McClain
Keyboards [Additional] - Dave Ogrin (Tracks: A1, A2), Steve Cox (Tracks: B4)
Keyboards, Programmed By - Alan Palanker (Tracks: A3), Eumir Deodato (Tracks: A1), Jim Salamone (Tracks: B1, B3, B5), Joshua Yudkin (Tracks: B1, B3)
Keyboards, Vocals - Keith Harrison
Lead Vocals - Juan Lively
Mastered By - José Rodriguez
Mixed By - Bassy Bob Brockmann (Tracks: A4, B2, B5), Dave Ogrin (Tracks: A2)
Other [Location] - Metropolis Cafe
Other [Stylist] - Jodi Kohn
Photography - Leon LeCash
Producer - Eumir Deodato (Tracks: A1, A3, B1, B3), Ish Ledesma (Tracks: A2, A4, B4), Robert Harris (Tracks: A2, A4, B2, B4, B5)
Programmed By - Randy Cantor (Tracks: B5)
Saxophone [Alto, Tenor], Backing Vocals - Robert Harris
Trumpet, Lead Vocals, Backing Vocals - Pierre De Mudd
Notes
Produced for SBK Record Productions Inc.,
B2, B5 Recorded at Counterpoint Studios, NYC
A2, A4 Recorded at Audiovision, Miami, Florida
A1, A3, B1, B3, B4 Recorded and mixed at Duplex Sound Studios, NYC
A2, A4, B2, B5 Mixed at Quadrosonic Studios, NYC
Mastered at Sterling Sound
SBK Record Productions, A Division of SBK Entertainment World, Inc.
BIEM/GEMA, LC 0316
(C)(P) 1988 BMG Music
Printed in Germany by TOPAC

Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Europe
Release Date: 1988
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20

Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Questions:
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