| Title |
Price |
GBP |
Media |
Condition |
Label |
| Souvenirs |
4.30 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Atlantic 7816901 |
| Item Number: 2081140208 243166 |
ex-/ex+, stickertear, writing on cover and label [243166]
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Tracklist
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| A1 | Do You Want It Bad Enuff | 4:59 | | A2 | Anticipation | 5:34 | | A3 | Love Me Mechanically | 5:19 | | A4 | Don't It Feel Good | 3:56 | | B1 | Souvenirs | 4:30 | | B2 | Can't Forget The Love | 4:17 | | B3 | Until You Come Back To Me | 4:21 | | B4 | The River | 6:21 |
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Barcode and Identifiers
Barcode: 0 7567-81690-1 4
Rights Society: GEMA/BIEM
Label Code: 0121
Matrix / RunoutRunout A: R/S Alsdorf 781690-1-A JC 5
Matrix / RunoutRunout B: R/S Alsdorf 781690-1-B JC A
Credits
Arranged By [Backing Vocals] - Danny Madden (Tracks: A4, B2 to B4)
Art Direction - Bob Defrin
Engineer - Gary Hellman (Tracks: A2 to A4, B2 to B4), Gordon Lyon (Tracks: A1), Maureen Droney (Tracks: A1)
Engineer [Assistant] - Andrew Spiegelman (Tracks: A2 to A4, B2 to B4), Jay Healy (Tracks: A1), Stuart Hirotsu (Tracks: A1)
Executive Producer - John Luongo
Guitar - Jimmy Rip (Tracks: A4), Paul Pesco (Tracks: A2, A3, B2, B3)
Keyboards - Khris Kellow (Tracks: A2 to A4, B2 to B4)
Mastered By - Dennis King
Mixed By [Assistant] - Billy Miranda (Tracks: A2 to A4, B2 to B4), Ellen Fitton (Tracks: A2 to A4, B2 to B4), Ira McLaughlin (Tracks: A2 to A4, B2 to B4)
Percussion - Bashiri Johnson (Tracks: A2 to A4, B2 to B4)
Percussion [African] - Drums Of Passion (Tracks: B4)
Photography By - Roy Volkmann
Piano - Richard Tee (Tracks: B4)
Producer - John Luongo (Tracks: A2 to A4, B2 to B4), Peter Link (Tracks: A4, B4)
Producer, Guitar - Alan Glass (Tracks: A1, B1)
Producer, Keyboards, Programmed By [Drums] - Preston Glass (Tracks: A1, B1)
Programmed By [Drums] - John Luongo (Tracks: A2 to A4, B2, B3), Khris Kellow (Tracks: A2 to A4, B2, B3), Peter Link (Tracks: B4)
Programmed By [Drums], Keyboards [Sequencing] - Frank Martin (Tracks: A1)
Saxophone - Crispin Cioe (Tracks: A4), Mark Rivera (Tracks: B2)
Notes
A1, B1
Recorded at
- Plant Studios, Sausalito, CA
- Hit Factory, New York City, NY
Mixed at
- Plant Studios, Sausalito, CA
A2 to A4, B2 to B4
Recorded at
- Atlantic Giant Sound Studios, New York
- Hit Factory Studios, New York
- Intergalactic Studios, New York
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Germany |
| Release Date: 1986 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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