| Title |
Price |
GBP |
Media |
Condition |
Label |
| Electric Honey |
2.42 |
|
CD |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Grand Royal 4960842 |
| Item Number: 2081112896 151289 |
ex/nm [151289]
 |
|
Tracklist
|
| 1 | Nervous Breakthrough | 3:47 | | 2 | Ladyfingers | 3:27 | | 3 | Christine | 3:30 | | 4 | Alien Lover | 3:50 | | 5 | Summer Daze | 3:31 | | 6 | Sexy Hypnotist | 3:14 | | 7 | Friends | 3:30 | | 8 | Devotion | 3:14 | | 9 | Fantastic Fabulous | 3:14 | | 10 | Gypsy | 3:01 | | 11 | Beloved | 2:58 | | 12 | Country's A Callin' | 3:10 | | 13 | Space Diva | 3:25 | | 14 | Fly | 4:17 | | 15 | Lover's Moon | 1:53 |
|
Barcode and Identifiers
Barcode: 7 243949 60842 9
BarcodeScanned: 724349608429
Rights Society: bel BIEM
Rights Society: ASCAP
Label Code: LC 0148
Price CodeF: PM 520
Matrix / RunoutVariant 1: EMI UDEN 4960842 @ 1 1-1-7-NL
Mastering SID CodeVariant 1: IFPI L046
Mould SID CodeVariant 1: ifpi 15BC
Matrix / RunoutVariant 2: EMI UDEN 4960842 @ 1 1-1-6-NL
Mastering SID CodeVariant 2: IFPI L046
Mould SID CodeVariant 2: ifpi 1582
Credits
A&R - Mark Kates
Art Direction, Design - Bill McMullen
Engineer - Jamie Staub (Tracks: 4, 8, 13 to 15), Serge Tsai (Tracks: 1, 3, 5 to 7, 10 to 12)
Engineer [Assistant Mix Engineer] - Steve Sisco
Executive-Producer - Luscious Jackson
Legal [Legal Representation] - Joe Brenner, Richard Grabel
Management - Pat Magnarella
Mastered By - Howie Weinberg
Mixed By - Andy Wallace (Tracks: 1 to 13, 15), Jamie Staub (Tracks: 14)
Photography By [Country Photo] - Orb Acton
Photography By [Cover, Back Cover And Eqipment Photography] - Danny Clinch
Photography By [Gabby Live Guitar Photo] - Thomas Grimm
Photography By [Jill Bass Photo] - Jeremy Creamer
Photography By [Kate Drum Photo] - Susan Alzner
Photography [Kid Photos] - Our Parents
Notes
Mixed at Soundtrack Studio, NYC except Track 14, Mixed at Magic Shop Studio.
Mastered at Masterdisk.
Tracks 1, 2, 3, 5, 6, 7, 10, 11, 12 - Engineered at Space Lounge Studios.
Tracks 4, 8, 13 - Recorded at Greene Point Studios, NYC.
Track 9 - Engineered at Secret Studio, NYC. Additional Engineering at Magic Shop Studio, NYC.
Track 11 - Recorded at Space Lounge Studios.
Track 13 - Additional Engineering at Soho Music Studios, NYC.
Track 14 - Engineered at Magic Shop Studio, NYC.
Track 15 - Engineered at Greene Point Studios, NYC.
All songs © 1999 EMI-April Music Inc./Grand Royal Music/Luscious Jackson Music (ASCAP).
Art direction and design for The Drawing Board.
℗ 1999 Capitol Records, Inc. © 1999 Grand Royal.
Printed in the EU.
Made in EU.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 1999 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
|
|
|
