| Title |
Price |
GBP |
Media |
Condition |
Label |
| Made In America |
4.30 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
A&M Records AMLK63723 |
| Item Number: 2081179502 321733 |
ex+/ex+ with inner [321733]
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Tracklist
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| A1 | Those Good Old Dreams | 4:12 | | A2 | Strength Of A Woman | 3:59 | | A3 | (Want You) Back In My Life Again | 3:39 | | A4 | When You've Got What It Takes | 3:39 | | A5 | Somebody's Been Lyin' | 4:22 | | B1 | I Believe You | 3:55 | | B2 | Touch Me When We're Dancing | 3:19 | | B3 | When It's Gone (It's Just Gone) | 4:59 | | B4 | Beechwood 4-5789 | 3:05 | | B5 | Because We Are In Love (The Wedding Song) | 5:00 |
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Identifiers
Rights Society: BIEM/STEMRA
Label Code: LC 0485
Price CodeBoxed: CB 271
Price CodeIn circle: 57
Matrix / RunoutSide A label: SP-03723-A
Matrix / RunoutSide B label: SP-03723-B
Matrix / RunoutSide A runout, etched: A&m SP63723-A²-G2 INT USPH A
Matrix / RunoutSide B runout, etched: A&m SP63723-B¹-G1 INT A USPH
Credits
Acoustic Guitar - Tim May (Tracks: A1, A3 to B2, B5)
Arranged By - Richard Carpenter (Tracks: A1 to A5, B2 to B5)
Art Direction - Chuck Beeson, Jeffrey Kent Ayeroff
Artwork By [Illustration] - David Willardson
Backing Vocals - Karen Carpenter (Tracks: A1 to B4), Richard Carpenter (Tracks: A1 to B4)
Bass - Joe Osborn
Concertmaster - James Getzoff (Tracks: A1 to A4, B1 to B4)
Design [Album Design] - Lynn Robb
Drums - Larrie Londin (Tracks: A2, B1 to B3), Ron Tutt (Tracks: A1 to A3, A5, B4, B5)
Electric Guitar - Tim May (Tracks: A1 to A3, B1 to B4), Tony Peluso (Tracks: A2 to A4, B2, B3)
Engineer - Roger Young (Tracks: A1 to A5, B2 to B5)
Harp - Gayle Levant (Tracks: A1, A2, A4, A5, B2, B4, B5)
Keyboards - Richard Carpenter
Management - Jerry Weintraub
Mastered By - Bernie Grundman
Mixed By - Roger Young
Mixed By [Assistant] - Stewart Whitmore
Oboe - Earl Dumler (Tracks: A2, A4, A5, B2, B3)
Orchestrated By - Richard Carpenter (Tracks: A1 to A4, B1 to B4)
Percussion - Paulinho Da Costa (Tracks: A1 to A4, B2)
Photography By - John Engstead
Producer - Richard Carpenter
Recorded By [Additional Recording] - David Iveland
Tenor Saxophone - Tom Scott (Tracks: A3, B2, B4)
Notes
℗ 1981 A&M Records, Inc./© 1981 A&M Records, Inc.
Made & Printed in Holland
Apart from the runout etchings mentioned in the BAOI faint plating marks can be discerned in the dead wax.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 1981 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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