David Ruffin
Title Price GBP  Media  Condition  Label 
Everything's Coming Up Love 8.60  LP  Mint (M)/Very Good Plus (VG+)  Motown M6866S1
Item Number: 2985562076

417599, ex-/sealed, upper left corner is bend a bit, cutout, because its sealed we cant be sure which US pressing this is


            




Tracklist
 
A1Discover Me4:22
A2First Round Knock-Out8:44
A3Good Good Times3:41
A4On And Off3:21
B1Ready, Willing And Able3:32
B2Everything's Coming Up Love4:54
B3Let's Get Into Something4:52
B4Until We Said Goodbye3:34



Credits
Arranged By, Conductor - Van McCoy
Art Direction - Frank Mulvey
Backing Vocals - Faith, Hope & Charity, Van McCoy
Bass, Contractor - Gordon Edwards
Congas, Tambourine - Ralph MacDonald
Design - Snyder And Butler Advertising
Drums - Steve Gadd
Electric Piano, Clavinet - Leon Pendarvis, Richard Tee
Engineer - Alan Varner
Guitar - Eric Gale, Hugh McCracken
Horns - Bernie Glow, Buddy Morrow, Dominick Gravine, George Devens, Jon Faddis, Mel Davis, Mervin Gold, Paul Faulise, Robert Alexander
Mastered By - José Rodriguez
Photography By - Neil Zachery, Norman Seeff
Piano [Acoustic] - Van McCoy
Producer - Van McCoy
Strings - Aaron Rosand, Alfred Brown, Beverly Lauridsen, Emanuel Green, Gene Orloff, George Marge, Guy Lumia, Harold Kohon, Harry Lookofsky, Jesse Levy, Joseph Malignaggi, Mitsue Takayama, Selwart Clarke, Theodore Israel, Yoko Matsuo
Vibraphone, Cabasa - George Devens

Notes
Produced for McCoy/Kipps Productions
Recorded and mixed at Media Sound, New York City
(C)(P) 1976 Motown Record Corporation


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: US
Release Date: 1976

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

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Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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