| Title |
Price |
GBP |
Media |
Condition |
Label |
| Boys In The Trees |
3.22 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Elektra 6E128 |
| Item Number: 2920576135 |
416535, ex+/ex-, gatefold, cutout
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Tracklist
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| A1 | You Belong To Me | 3:52 | | A2 | Boys In The Trees | 3:13 | | A3 | Back Down To Earth | 3:08 | | A4 | Devoted To You | 2:29 | | A5 | De Bat (Fly In Me Face) | 2:28 | | A6 | Haunting | 2:28 | | B1 | Tranquillo (Melt My Heart) | 4:02 | | B2 | You're The One | 3:38 | | B3 | In A Small Moment | 3:08 | | B4 | One Man Woman | 3:39 | | B5 | For Old Times Sake | 3:41 |
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Barcode and Identifiers
Rights SocietyA1 to A4, A6, B1, B3, B5: ASCAP
Rights SocietyA5, B2, B4: BMI
Matrix / RunoutLabel - Side A: 6E-128-A SP
Matrix / RunoutLabel - Side B: 6E-128-B SP
Matrix / RunoutStamped on both sides: SRC logo
Matrix / RunoutSide A runout, variant 1: 6E-128-A-SP1RE-2/23 at GP
Matrix / RunoutSide B runout, variant 1: 6E-128B-SP-1RE-2/23 at GP 1-5
Matrix / Runout: 1-` 6E- 128-A - SP1RE-2/23 SRC stamp @tgP
Matrix / Runout: 1-4 SRC stamp 6E-128B- SP- 1RE-2/23 @tgP
Matrix / RunoutSide A runout, variant 3: 1-6 6E-128-A-SP1RE-2/23 SRC stamp @tgP
BarcodeSide B runout, variant 3: 1-4 SRC stamp 6E-128B-SP-1RE-2/23 @tgP
Credits
Alto Saxophone - George Young, Harvey Estrin
Arranged By [Horns] - James Taylor (Tracks: B1)
Art Direction - Johnny Lee, Tony Lane
Baritone Saxophone - Jaroslav Jakubovic, Ronnie Cuber
Concertmaster - Gene Orloff
Engineer - Bobby Warner
Engineer [Assistant] - Bill Dooley, Mike O'Reilly, Ollie Cotton, Tom Heid
French Horn - Brooks Tillotson, Jim Buffington
Mastered By - George Piros
Photography - Deborah Turberville
Producer, Arranged By [Horns & Strings], Conductor - Arif Mardin
Recorded By, Mixed By - Lew Hahn
Strings - Alan Shulman, Alfred Brown, Charles Libove, Frederick Buldrini, Gerald Tarack, Guy Lumia, Harold Kohon, Homer Mensch, Jesse Levy, Joe Malin, Jonathan Abramowitz, Julien Barber, Kermit Moore, Lamar Alsop, Marvin Morgenstern, Mitsue Takayama, Paul Gershman, Ted Hoyle, Theodore Israel, Yoko Matsuo
Tenor Saxophone - Michael Brecker
Trombone - Barry Rogers, Eddie Bert
Trumpet - Randy Brecker
Vocals - Carly Simon
Notes
"SP" in label matrix denotes a Specialty Records Corporation pressing.
Recorded at Atlantic Studios, New Yor, New York.
Additional Recording at A&R Studios, New York, New York.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: US |
| Release Date: 1978 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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