| Title |
Price |
GBP |
Media |
Condition |
Label |
| Hard Candy |
3.24 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Geffen Records 4935592 |
| Item Number: 2756713393 1869 |
383607 nm/nm
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Tracklist
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| 1 | Hard Candy | 4:20 | | 2 | American Girls | 4:32 | | 3 | Good Time | 4:24 | | 4 | If I Could Give All My Love -or- Richard Manuel Is Dead | 3:52 | | 5 | Goodnight L.A. | 4:17 | | 6 | Butterfly In Reverse | 2:48 | | 7 | Miami | 5:01 | | 8 | New Frontier | 3:51 | | 9 | Carriage | 4:04 | | 10 | Black And Blue | 3:53 | | 11 | Why Should You Come When I Call? | 4:38 | | 12 | Up All Night (Frankie Miller Goes To Hollywood) | 5:07 | | 13 | Holiday In Spain | 3:50 | | 14 | 4 White Stallions | 4:21 | | 15 | Big Yellow Taxi | 3:46 |
|
Barcode and Identifiers
Barcode: 6 0694935592 0
BarcodeScan: 606949355920
Label Code: LC07266
Rights Society: BIEM / MCPS
Matrix / RunoutVariant 1: 06069 493 559-2 01 / 51337108
Matrix / RunoutVariant 1: MADE IN GERMANY BY UNIVERSAL M & L G
Mastering SID CodeVariant 1: IFPI L001
Mould SID CodeVariant 1: IFPI 0116
Matrix / RunoutVariant 2: 06069 493 559-2 01 / 51337108
Matrix / RunoutVariant 2: MADE IN GERMANY BY UNIVERSAL M & L G
Mastering SID CodeVariant 2: IFPI L001
Mould SID CodeVariant 2: IFPI 0136
Matrix / RunoutVariant 3: 06069 493 559-2 01 / 51337108
Matrix / RunoutVariant 3: MADE IN GERMANY BY UNIVERSAL M & L A
Mastering SID CodeVariant 3: IFPI L001
Mould SID CodeVariant 3: IFPI 0121
Matrix / RunoutVariant 4: 06069 493 559-2 01 / 51337108
Matrix / RunoutVariant 4: MADE IN GERMANY BY UNIVERSAL M & L F
Mastering SID CodeVariant 4: IFPI L001
Mould SID CodeVariant 4: IFPI 0136
Matrix / RunoutVariant 5: 06069 493 559-2 01 / 51337108
Matrix / RunoutVariant 5: MADE IN GERMANY BY UNIVERSAL M & L C
Mastering SID CodeVariant 5: IFPI L001
Mould SID CodeVariant 5: IFPI 0121
Credits
Art Direction [Direction], Design - Liam Ward
Cello - Cecilia Tsan, Christina Soule, Paula Hochhalter, Steve Erdody
Co-producer - Carl Glanville, Counting Crows, Ethan Johns, Ron Fair
Contractor - Jolie Levine
Coordinator [Production Coordinator] - Cindi Peters
Double Bass - Edward Meares, Richard Feves
Engineer - Alan Sanderson, Ben Dobie, Brian Vibberts, Joe Zook
Executive-Producer - Gary Gersh, Jordan Schur
Management [Studio Manager] - Bill Thomson
Management [Tour Manager] - Tomas Mullally
Mastered By - Bob Ludwig
Mixed By - David Bryson, Jack Joseph Puig
Music By - Adam Duritz, Dan Vickrey, Jeff Trott, Patrick Winningham
Other [Publisher] - Dan Vickrey, Jeff Trott, Patrick Winingham
Photography By - Peggy Sirota
Producer - Steve Lillywhite
Recorded By - Carl Glanville, David Bryson, Donal Hodgson, Krish Sharma, Stephen Harris, Steve Holroyd, Steven Rhodes, Tal Herzberg
Viola - Brian Dembow, Carole Castillo, John Scanlon, Karen Elaine Bakunin
Violin - Alan Grunfeld, Jackie Brand, Josefina Vergara, Karen Jones, Katia Popov, Kenneth Yerke
- Liane Mautner
Notes
Comes with a 22 side booklet.
On back of inlay:
℗ 2003 Geffen Reords © 2003 Geffen Records
Made in the EU.
On CD label:
℗ 2003 Geffen Reords © 2003 Geffen Records
Made in the EU.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 2002-07-09 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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