Title |
Price |
GBP |
Media |
Condition |
Label |
Inside Job |
3.24 |
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CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Warner Bros. Records 9362470832 |
Item Number: 2722872949 2104 |
381623 nm/nm
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Tracklist
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1 | Nobody Else In The World But You | 4:49 | 2 | Taking You Home | 5:31 | 3 | For My Wedding | 3:37 | 4 | Everything Is Different Now | 5:12 | 5 | Workin' It | 5:37 | 6 | Goodbye To A River | 5:49 | 7 | Inside Job | 4:50 | 8 | They're Not Here, They're Not Coming | 6:00 | 9 | Damn It, Rose | 7:13 | 10 | Miss Ghost | 6:41 | 11 | The Genie | 5:46 | 12 | Annabel | 3:42 | 13 | My Thanksgiving | 5:12 |
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Barcode and Identifiers
Barcode: 0 9362 47083 2 2 BarcodeScanned: 093624708322 Rights Society: GEMA/BIEM Price Code: WE833 Label Code: LC00392 Matrix / RunoutVariant 1: 936247083-2.2 04/00 Mastering SID CodeVariant 1: IFPI L011 Mould SID CodeVariant 1: IFPI 0544 Matrix / RunoutVariant 2: 936247083-2.2 04/00 Mastering SID CodeVariant 2: IFPI L011 Mould SID CodeVariant 2: IFPI 0573 Matrix / RunoutVariant 3: [Warner W Logo] 936247083-2.2 04/00 Mastering SID CodeVariant 3: IFPI L011 Mould SID CodeVariant 3: IFPI 0533 Matrix / RunoutVariant 4: [Warner W Logo] 936247083-2.2 04/00 Mastering SID CodeVariant 4: IFPI L011 Mould SID CodeVariant 4: IFPI 05N7 Matrix / RunoutVariant 5: [Warner W Logo] 936247083-2.2 04/00 Mastering SID CodeVariant 5: IFPI L011 Mould SID CodeVariant 5: IFPI 0584 Matrix / RunoutVariant 6: [Warner W Logo] 936247083-2.2 04/00 Mastering SID CodeVariant 6: IFPI L011 Mould SID CodeVariant 6: IFPI 0563 Matrix / RunoutVariant 7: [Warner W Logo] 936247083-2.2 04/00 Mastering SID CodeVariant 7: IFPI L011 Mould SID CodeVariant 7: IFPI 0513
Credits Edited By [Digitally] - Stewart Whitmore Engineer [Assistant] - Adam Olmstead, Andy Ackland, Andy Haller, Charlie Bouis, Daniel Mendez, Dave Ashton, Jeff Thomas, Ken K Six Villeneuve, Roger Sommers Management - Irving Azoff Mastered By - Stephen Marcussen Photography By [Additional] - Matthew Welch Photography By [Front Cover], Photography By [Additional] - Dennis Keeley Producer - Don Henley, Stan Lynch Recorded By [Additional Recording] - Stuart Brawley Recorded By, Mixed By - Rob Jacobs Technician [Technical Support] - Arthur Kelm, Bill Kaylor, Dave Hecht, Joe Birkman, Steve Griffin, Ted Barela
Notes ©℗ 2000 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the rest of the world outside the U.S. Made in Germany. Recorded at Record Plant, Hollywood, CA; Samain Sound, Malibu; Royaltone, North Hollywood, CA; Jai Winding Studios, Santa Monica, CA; Le Mobile, Dallas, TX; ASC Sumet Studios, Dallas, TX.
Mixed at Record Plant, Hollywood, CA except "Everything Is Different Now" Mixed at One On One, North Hollywood, CA.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Europe |
Release Date: 2000-05-23 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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