Céline Dion
Title Price GBP  Media  Condition  Label 
All The Way... A Decade Of Song 3.24  CD  Near Mint (NM or M-)/Very Good Plus (VG+)  Columbia 4960942000
Item Number: 2722872787 2104

381622 ex+/nm


    




Tracklist
 
1The Power Of Love4:49
2Beauty And The Beast4:04
3Think Twice4:48
4Because You Loved Me4:35
5It's All Coming Back To Me Now5:31
6Immortality4:12
7To Love You More4:42
8My Heart Will Go On4:41
9I'm Your Angel5:31
10That's The Way It Is4:03
11If Walls Could Talk5:19
12The First Time Ever I Saw Your Face4:09
13All The Way3:53
14Then You Look At Me4:11
15I Want You To Need Me4:36
16Live For The One I Love3:58


Barcode and Identifiers
BarcodeString: 5099749609426
Barcode: 5 099749 609426
Mould SID Code: IFPI 5M10
Matrix / Runout: 25062 CELINE DION - ALL THE WAY V27925
Rights Society: SACEM SACD SDRM SGDL
Rights Society: BIEM
Label Code: LC 00162
Format Code: CDE


Credits
A&R [Coordinators] - Maya Panvell, Terry Chiazza
Art Direction - Nancy Donald
Executive-Producer - John Doelp, Vito Luprano
Legal - Jamie Young, Ziffren, Brittenham & Branca
Management - René Angélil
Mastered By - Vlado Meller
Mixed By - Humberto Gatica (Tracks: 1 to 9, 11 to 16), Kristian Lundin (Tracks: 10), Max Martin (Tracks: 10)
Photography By - André Rau
Producer - David Foster (Tracks: 1, 4, 7, 12 to 14, 16)

Notes
Compared to Céline Dion - All The Way... A Decade Of Song: Title for track 16 is incompletely mentioned as "Live" on the CD; on the back cover it's competely mentioned.

(C) 1999 Sony Music Entertainment (Canada) Inc./(P) 1990, 1992, 1993, 1996, 1997, 1998, 1999 Sony Music Entertainment (Canada) Inc.

Made in Austria.

01: Produced for Chartmaker, Inc. Recorded at The Enterprice, Ground Control, Record Plant
Mixed at Record Plant
© 1986 EMI Musikverlag (GmbH) All rights for the U.S. and Canada controlled and administered by EMI April Music Inc. (ASCAP) All Rights Reserved Used by permission

02: Recorded at The Record Plant, vocals recorded at The Power Station N.Y.
Mixed at Record Plant
© 1991 Walt Disney Music Co. (ASCAP) / Wonderland Music Co. (BMI) All rights Reserved Used by Permission

03: recorded at Westside Studios, London, UK, Morin Heights Montreal, Canada
© 1992 Pillarview B.V. / EMI Virgin Ltd. All rights for Pillarview B.V. in the U.S. and Canada administered by Chrysalis Songs (BMI). All rights for EMI Virgin Music Ltd. controlled and administered by EMI Virgin Music Inc. (ASCAP) All Rights Reserved Used by permission

04 :Recorded in Los Angeles at Mandeville Studios, Track Record Studios, Westlake Audio and Ocean Way Recording.
© 1994 Jerk Awake / EMI Virgin Music, Inc. and Future Furniture Music (ASCAP) / Hidden Pun Music Inc. adm. by Warner-Tamerlane Publishing Corp. (BMI)

05: Recorded at The Hit Factory, NYC.
© 1989 Lost Boys Music (BMI)

06: recorded at Wallyworld CA, / Record Plant L.A., The Hit Factor N.Y., Middle Ears Studio Miami Beach, Masterphonics Nashville / Mixed at The Hit Factory N.Y.
Mixed at the Hit Factory in New York City
© 1997 Gibb Brothers Music (BMI)

07: Recorded at Chartmaker Studios L.A., Record Plant L.A.
Mixed at Record Plant
© 1995 143 MUSIC administered by Peermusic/ MCA Music Publishing a division of MCA inc.

08: Recorded at Record Plant L.A., Paramount Studios L.A. / Mixed at Record Plant L.A.
Mixed at the Hit Factory in New York C


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Europe
Release Date: 1999

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

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LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20


Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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