| Title |
Price |
USD |
Media |
Condition |
Label |
| 18 Til I Die |
3.24 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
A&M Records 5405512 |
| Item Number: 2581164471 |
375423, nm/nm
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Tracklist
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| 1 | The Only Thing That Looks Good On Me Is You | 3:37 | | 2 | Do To You | 4:11 | | 3 | Let's Make A Night To Remember | 6:19 | | 4 | 18 Til I Die | 3:30 | | 5 | Star | 3:42 | | 6 | (I Wanna Be) Your Underwear | 3:18 | | 7 | We're Gonna Win | 2:27 | | 8 | I Think About You | 3:36 | | 9 | I'll Always Be Right There | 3:17 | | 10 | It Ain't A Party...If You Can't Come 'Round | 3:47 | | 11 | Black Pearl | 4:00 | | 12 | You're Still Beautiful To Me | 5:14 | | 13 | Have You Ever Really Loved A Woman? | 4:48 |
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Barcode and Identifiers
Barcode: 7 31454-0551-2 3
Barcodescanned: 731454055123
Label Code: LC 0485
Rights Society: BIEM/STEMRA
Price Code: PY 811
Matrix / RunoutVariant 1: 540 551-2 01 > MADE IN GERMANY BY PMDC
Mastering SID CodeVariant 1: IFPI L003
Mould SID CodeVariant 1: IFPI 01N7
Matrix / RunoutVariant 2: 540 551-2 01 > MADE IN GERMANY BY PMDC
Mastering SID CodeVariant 2: IFPI L003
Mould SID CodeVariant 2: IFPI 01G5
Matrix / RunoutVariant 3: [not entered]
Mastering SID CodeVariant 3: [not entered]
Mould SID CodeVariant 3: IFPI 0168
Matrix / RunoutVariant 4: 540 551-2 01 > MADE IN GERMANY BY PMDC D
Mastering SID CodeVariant 4: IFPI L003
Mould SID CodeVariant 4: IFPI 0102
Matrix / RunoutVariant 5: 540 551-2 01 > MADE IN GERMANY BY PMDC N
Mastering SID CodeVariant 5: IFPI L003
Mould SID CodeVariant 5: IFPI 0102
Matrix / RunoutVariant 6: 540 551-2 01 > MADE IN GERMANY BY PMDC V
Mastering SID CodeVariant 6: IFPI L003
Mould SID CodeVariant 6: IFPI 0101
Matrix / RunoutVariant 7: 540 551-2 01 > MADE IN GERMANY BY PMDC AE
Mastering SID CodeVariant 7: IFPI L003
Mould SID CodeVariant 7: IFPI 01H3
Matrix / RunoutVariant 8: 540 551-2 01 > MADE IN GERMANY BY PMDC T
Mastering SID CodeVariant 8: IFPI L003
Mould SID CodeVariant 8: IFPI 0101
Credits
Artwork - Dirk Rudolph
Backing Vocals - The Pointless Brothers (Tracks: 1, 4, 6, 10, 11)
Bass - Dave Taylor (Tracks: 1 to 6, 8, 10 to 12)
Drums - Mickey Curry (Tracks: 1 to 8, 10 to 13)
Engineer, Other [Massage By] - Olle Romo
Guitar - Bryan Adams (Tracks: 1, 3 to 8, 10 to 13), Keith Scott (Tracks: 1 to 6, 8, 10 to 12), Robert John Lange (Tracks: 1 to 7, 10 to12)
Keyboards - Olle Romo (Tracks: 3, 5, 6)
Management - Bruce Allen
Mastered By - Bob Ludwig
Mixed By - Bob Clearmountain
Percussion - Olle Romo (Tracks: 1 to 6, 8, 10 to 12)
Photography By - Andrew Catlin, Anton Corbijn, Matthew Rolston
Photography By [Bits & Pieces] - Dirk Rudolph
Photography By [Cover] - Matthew Rolston
Producer - Bryan Adams, Robert John Lange
Programmed By - Olle Romo
Vocals - Bryan Adams
Written-By - Bryan Adams, Gretchen Peters (Tracks: 8), Michael Kamen (Tracks: 6, 9, 13), Robert John Lange (Tracks: 1 to 7, 9 to 13)
Notes
℗ 1996 Badman Ltd./A&M Records, Inc.
© 1996 Badman Ltd.
Distributed by Polydor/Polygram
Some copies had a sticker on front of the jewel case.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 1996-06-10 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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