| Title |
Price |
GBP |
Media |
Condition |
Label |
| Circle Of One |
3.22 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Fontana 8487402 |
| Item Number: 2828253658 |
450496, nm/nm
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Tracklist
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| 1 | Rhythm Of Life | 4:24 | | 2 | Get Here | 4:37 | | 3 | Circle Of One | 3:55 | | 4 | You've Got To Give Me Room | 5:17 | | 5 | I've Got To Sing My Song | 4:01 | | 6 | I've Got A Right | 4:00 | | 7 | Will We Ever Learn | 5:15 | | 8 | Everything Must Change | 6:54 | | 9 | Don't Look Too Closely | 4:28 | | 10 | Circle Of One (Remix) | 4:16 |
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Barcode and Identifiers
BarcodePrinted: 0 42284 87402 1
BarcodeScanned: 042284874021
Label Code: LC 0211
Rights Society: BIEM STEMRA
Price Code: PG 900
SPARS Code: ADD
Matrix / RunoutVariant 1: 848 740-2 02 MADE IN GERMANY BY PMDC AB
Mould SID CodeVariant 1: IFPI 01F6
Matrix / RunoutVariant 2: 848 740-2 02 > MADE IN GERMANY BY PMDC AL
Mould SID CodeVariant 2: IFPI 01A6
Matrix / RunoutVariant 3: 848 740-2 02 > MADE IN GERMANY BY PMDC AK
Mould SID CodeVariant 3: IFPI 01D5
Matrix / RunoutVariant 4: 848 740-2 02 > MADE IN GERMANY BY PMDC AL
Mould SID CodeVariant 4: IFPI 01F1
Matrix / RunoutVariant 5: 848 740-2 02 > MADE IN GERMANY BY PMDC AL
Mould SID CodeVariant 5: IFPI 01E4
Matrix / RunoutVariant 6: 848 740-2 02 > MADE IN GERMANY BY PMDC AL
Mould SID CodeVariant 6: IFPI 01D4
Credits
Backing Vocals - Andy Caine (Tracks: 1, 3, 10), Carol Kenyon (Tracks: 1, 3, 5, 10), Ian Wilson (Tracks: 1, 3, 10), Tessa Niles (Tracks: 1, 3, 5, 10)
Baritone Saxophone - Will Gregory (Tracks: 3, 10)
Bass - Pino Palladino (Tracks: 1, 2, 5 to 9)
Brass - Chris White (Tracks: 6, 7), Guy Barker (Tracks: 6, 7), John Barclay (Tracks: 6, 7), Phil Todd (Tracks: 6, 7)
Drums - John Cushon (Tracks: 1, 2, 5 to 9)
Keyboards - Oleta Adams (Tracks: 1, 2, 4, 9)
Liner Notes - Oleta Adams
Management - David Wernham
Mastered By - Bob Ludwig
Organ [Hammond] - Oleta Adams (Tracks: 1, 6, 7), Simon Clark (Tracks: 3, 5, 10)
Percussion - Luis Jardim (Tracks: 2, 5 to 7)
Photography By - David Scheinmann
Piano - Oleta Adams (Tracks: 2, 5 to 8)
Producer - David Bascombe, Roland Orzabal
Programmed By [Fairlight Programming] - Roland Orzabal (Tracks: 1, 3, 10)
Saxophone [Solo] - Phil Todd (Tracks: 6, 7)
Sleeve - The Unknown
Written-By - Bernard Ighner (Tracks: 8), Brenda Russell (Tracks: 2), Ellen Shipley (Tracks: 7), Nicky Holland (Tracks: 1, 7), Oleta Adams (Tracks: 3 to 6, 9, 10), Roland Orzabal (Tracks: 1)
Notes
This release does not have a IFPI SID Mastering code on it.
On the back cover and in the 4 panel insert:
℗ 1990 Phonogram Ltd. (London)
© 1990 Phonogram Ltd. (London)
On the disc:
℗ 1990 Phonogram Ltd (London)
Track times are not listed on the release.
Originally released in 1990, but this version includes tracks 9 and 10 ("Don't Look Too Closely", "Circle Of One (Remix)") which do not appear on the original 1990 release.
Issued in a jewel case with a 4-panel insert including front cover, tracklist, credits, and "thanks" listings.
Note that the back cover includes a misspelling "mastered by bob ludwig at masterdisc n.y." (sic.) not "Masterdisk N.Y.".
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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