New York Ska-Jazz Ensemble
Title Price USD  Media  Condition  Label 
Properly 17.30  7"  Very Good Plus (VG+)/Very Good Plus (VG+)  Grover Records GROVS116
Item Number: 2775820864

414074, ex/ex


Tracklist
 
A1Properly2:34
B1JL4:26
B2Danger In Your Eyes3:33


Barcode and Identifiers
Barcode: 4026763141169
Rights Society: GEMA
Label Code: LC 03059


Credits
Bass - Sheldon Gregg
Design - Uwe Siemens
Drums, Vocals, Producer, Engineer, Mixed By, Mastered By - Johnnathan McCain
Guitar - Andy Stack
Keyboards - Peter Truffa
Photography By [Live Stage] - Chris Gones
Saxophone, Flute, Producer, Mixed By, Mastered By - Fred Reiter
Trombone, Engineer [Assisted By] - Mark Paquin

Notes
℗ + © 2000 Grover Records
Recorded live at Cat’s Crib Studios Aug.27-29,2000 Little Neck,N.Y. [sic]
Produced for Ska-Jazz Productions
Moskito Music [A1, B1]
Jamrec [B2]

———
Side A: 45 RPM
Side B: 33 ⅓ RPM


Note
Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Germany
Release Date: 2000

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20


Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Questions:
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